Would mistrust a poetry critic who couldn’t produce a rhyming couplet. Could one write about art without knowing how to draw?
ADAM GOPNIKIt mocks mercilessly the pretensions to truth of Mormonism and the pretensions to virtue of Mormon missionaries.
More Adam Gopnik Quotes
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Leafing through Forbes or Fortune [magazine]s is like reading the operating manual of a strangely sanctimonious pirate ship
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For all the years I’d spent talking about pictures, the truth was that I had no idea how to draw or what it felt like to do it. I
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You can stand up and tell a story that is made entirely, embarrassingly, of “I’s,” and a listening audience somehow turns each “I” into a “me.”
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The trick and the trap and the horror is not faith, Scott. I don’t think the trap and the horror is fanaticism.
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The first visitor has an easier time, but I think the second visitor sees more.
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Drawing is one of those things which sit on the uneasy bending line between instinct and instruction, where seeming perversity eventually trumps pleasure as the card players and the kibitzers interact and new thrills are sought.
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There are two kinds of travelers. There is the kind who goes to see what there is to see, and the kind who has an image in his head and goes out to accomplish it.
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The overwhelming and underlying desire for something truly terrible to happen so that you could have something really hot to talk about – was still startling.
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The basic human rhythm of petty malevolence, sordid moneygrubbing, and official violence, illuminated by occasional bursts of loyalty or desire or tenderness, will go on.
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Often the block [in writing] comes from the wall of words that keep out the simplicity of sense.
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Big writers become a kind of shared climate.
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In the New Yorker library, I have long been shelved between Nadine Gordimer and Brendan Gill; an eerie little space nestled between high seriousness of purpose and legendary lightness of touch.
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Protein was the most valued ingredient 250 years ago: It was the rarest thing. Now the rarest thing we have is time: time to cook and time to eat.
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Drawing need not be the bones of art, but skill must always be the skeleton of accomplishment.
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I try to turn a written thing, when I’m in trouble with it, into a spoken thing: I start imagining what I would say to someone if I were trying to tell the story or make the argument.
ADAM GOPNIK