“I get to play out all kinds of bad behavior without anyone actually coming to harm.”

I think having the opportunity to get inside the skin of people that operate outside the law and normal moral and ethical restraints, and then to go home afterwards leaving them on set, is pretty cathartic.

For me, if the writing and – by extension – the subject matter and the characters are all good, it doesn’t matter if it’s film or TV. Each medium has great things going for it.

I like people and I like hearing their stories. The way that they deliver them is always very particular and I think that their accents are integral to that.

There’s something special about being on film sets; there’s an excitement; the people in every department are passionate about what they do.

As a younger actor coming up, I wanted to be in films.

[Playing] the bad guys tend to be fascinating. Figuring out what makes them do the things they do is what interests me.

Actually, King Abdullah, under his supervision and guidance, has established a dialogue in Saudi Arabia whereby all the population.

I try not to go the obvious route all the time, but sometimes the most obvious is actually the best.

I did it in Looking for Richard, too. And I figure, if I can weave it into the actual play and get the audience interested, like the robes going up and down, they’ll pay attention long enough to consume it.

Actually, when you’re doing something you love, even when you’re busy and it’s hectic you don’t feel the need to relax.

that is eventually going to have an effect on soldiers and troops who are actually going to believe that and it’s wrong. It’s just wrong.

I’m the New York Jew who actually grew up in Minnesota.

At the end of the playback of the take of “Like A Rolling Stone”, or actually during the thing.

And a little slate that came out of the wall that you could actually write on. And a door that locked from the outside.