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Today, when so much seems to conspire to reduce life and feeling to the most deprived and demeaning bottom line,

Ada Louise Huxtable

What counts more than style is whether architecture improves our experience of the built world; whether it makes us wonder why we never noticed places in quite this way before.
ADA LOUISE HUXTABLE

Build Count Experience Style Way World
The age of Lincoln and Jefferson memorials is over. It will be presidential libraries from now on.
ADA LOUISE HUXTABLE

Age Aged Explore Library Memorial Over Presential Presidential Read
Symbol and metaphor are as much a part of the architectural vocabulary as stone and steel.
ADA LOUISE HUXTABLE

Architectural Reel Steel Stone Vocabulary
Really living without clutter takes an iron will … This involves eternal watchfulness and that oldest and most relentless of the housewife’s occupations, picking up.
ADA LOUISE HUXTABLE

Clutter Feeling. Oldest Involve Iron Long Most
That turns the Jersey wasteland into a pretty classy dump.
ADA LOUISE HUXTABLE

Class Jersey Pretty Turn Wasteland
The building is a national tragedy – a cross between a concrete candy box and a marble sarcophagus in which the art of architecture lies buried.
ADA LOUISE HUXTABLE

Art Box Candy Lying National Sarcophagus Tragedy
An excellent job with a dubious undertaking, which is like saying it would be great if it wasn’t awful.
ADA LOUISE HUXTABLE

Dubious Excellent Job Saying Would
There are two kinds of people in the world – those who have a horror of a vacuum and those with a horror of the things that fill it. Translated into domestic interiors, this means people who live with, and without, clutter.
ADA LOUISE HUXTABLE

Horror Kid Mean People Two Vacuum World
Washington is an endless series of mock palaces clearly built for clerks.
ADA LOUISE HUXTABLE

Build Clearly Clerk Country Endless Palace
In the end, these unavoidable conflicts provide architecture’s essential and productive tensions; the tragedy is that so little of it rises above the level imposed by compromise, and that this is the only work most of us see and know.
ADA LOUISE HUXTABLE

Architect Conflict Essential Little Tension Tragedy
All autonomous agencies and authorities, sooner or later, turn into self-perpetuating strongholds of conventional thought and practice.
ADA LOUISE HUXTABLE

Agency Conventional Later Practice Self Sooner Stronghold
It is the rare architect who does not hope in his heart to design a great building and for whom the quest is not a quiet, consuming passion.
ADA LOUISE HUXTABLE

Design Establishes Heart Hope Passion Quest
Real serious waiting is done in waiting rooms, and what they all have in common is their purpose, or purposelessness,
ADA LOUISE HUXTABLE

Common Real Rigor Mortis Room Waiting Wanting
Every creative act draws on the past whether it pretends to or not. It draws on what it knows. There’s no such thing, really, as a creative act in a vacuum.
ADA LOUISE HUXTABLE

Creative Creativity Draw Know Past Pretend
Until the first blow fell, no one was convinced that Penn Station really would be demolished, or that New York would permit this monumental act of vandalism against one of the largest and finest landmarks of its age of Roman elegance
ADA LOUISE HUXTABLE

Bloom City Country Convinced Demolished Until
Tossed into the Secaucus graveyard are about 25 centuries of classical culture and the standards of style, elegance and grandeur that it gave to the dreams and constructions of Western man.
ADA LOUISE HUXTABLE

Century Dream Man Secaucus Standard Style Tossed

Today, when so much seems to conspire to reduce life and feeling to the most deprived and demeaning bottom line,

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Today, when so much seems to conspire to reduce life and feeling to the most deprived and demeaning bottom line,

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