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I taught a lot of art history, especially Chinese, Japanese, and Indian. But the painting classes came back. The nudes came back. Not so much the still lifes.

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So now our department is the worst department, partly because it has the worst facilities.
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If some student came up and wanted to know where to study painting, you’d want to suggest someplace, but there’s no place. I wouldn’t know where to send a student to study.
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My paintings are the last paintings one can make.
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I taught a lot of art history, especially Chinese, Japanese, and Indian. But the painting classes came back. The nudes came back. Not so much the still lifes.
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The one object of fifty years of abstract art is to present art-as-art and as nothing else, to make it into the one thing it is only, separating and defining it more and more
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As for a picture, if it isn’t worth a thousand words, the hell with it.
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As an artist I would like to eliminate the symbolic pretty much, for black is interesting not as a color but as a non-color and as the absence of color.
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There is a black which is old and a black which is fresh. Lustrous black and dull black, black in sunlight and black in shadow.
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The ugliest spectacle is that of artists selling themselves. Art as a commodity is an ugly idea… The artist as businessman is uglier than the businessman as artist.
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I like the idea of the museum world and the university-academic situation where artists talk to each other or where artists or art students study with artists.
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It is not right for painters to think that painting is like prostitution, that ‘first you do it for love, then you do it for others, and finally you do it for money.
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Art is art. Everything else is everything else.
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An artist who dedicates his life to art, burdens his art with his life, and his life with his art.
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The artist as businessman is uglier than the businessman as artist.
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I tried to oppose the academic to the marketplace.
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Painting cannot be the only activity of a mature artist.
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