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I’m still very grateful to digital cameras in general, but I didn’t have this feeling with the RED one.

Abbas Kiarostami

My car is my best friend. My office. My home. My location. I have a very intimate sense when I am in a car with someone next to me. We’re in the most comfortable seats because we’re not facing each other, but sitting side by side.
ABBAS KIAROSTAMI

Car Film Friend Home Intimate Location Office
Therefore, when you see the end result, it’s difficult to see who’s the director, me or them. Ultimately, everything belongs to the actors – we just manage the situation.
ABBAS KIAROSTAMI

Actors End Belong Difficult Director Film Ultimately
Unfortunately, cinema critics are very few in America, 400-500 people, but there are more critics of Iran.
ABBAS KIAROSTAMI

America Cinema Critics Few Iran More People Unfortunately
When I find the character, I try to spend time with them and get to know them very well. Therefore my notes are not from the character that I had in my mind before, but are instead based on the people I’ve met in real life.
ABBAS KIAROSTAMI

Character Know Not People Real Well
Close-Up is a very particular film in my oeuvre. It’s a film that was made in a very particular way; mainly because I didn’t really have the time to think about how to go about making the film.
ABBAS KIAROSTAMI

Close up Director Film Oeuvre Thinking Time Way
This was pointed out to me by somebody who referred to the paintings of Rembrandt and his use of light: some elements are highlighted while others are obscured or even pushed back into the dark.
ABBAS KIAROSTAMI

Dark Element Light Painting Pointed Referred Use
I think being someone in love is so hard to define, so temporary, because retrospectively we often deny the state in which we were in love.
ABBAS KIAROSTAMI

Complication Deny Expression Life Perception Thinking
The experience of life teaches us that being like someone in love is more real, because everything is uncertain.
ABBAS KIAROSTAMI

Experience Life Love More Real Teach Uncertain
Maybe more than a teller, I am a story listener. I really enjoy listening to stories. I remember them and keep them in my mind. All of my films are a collection of small stories that have been told to me.
ABBAS KIAROSTAMI

Enjoy Listener Listening Mind More Remember Story Teller
I think that if you’re a digital thinker, you can use a digital camera.
ABBAS KIAROSTAMI

Camera Digital Thinker Thinking Use
If you are a businessman or a politician in Iran, you can get a visa as quickly as you ask for it.
ABBAS KIAROSTAMI

Ask Businessman Iran Politician Quickly
I really haven’t seen The Report in a long time. I don’t have a copy, but I’ll have to see it again. I think it would be good to put both these men next to each other.
ABBAS KIAROSTAMI

Copy Long Men Report Thinking Time
I really enjoy listening to stories. I remember them and keep them in my mind.
ABBAS KIAROSTAMI

Enjoy Listening Mind Remember Story
I would be too selfish if I said everyone should see my movies more than once. To say that would mean I’m just marketing my work!
ABBAS KIAROSTAMI

Marketing Mean Movie Selfish Work
I’m still very grateful to digital cameras in general, but I didn’t have this feeling with the RED one.
ABBAS KIAROSTAMI

Camera Digital Feelings General Grateful Red
I think life is so difficult to catch, it’s so furtive, that a copy, a film, can in no way catch it and represent it.
ABBAS KIAROSTAMI

Difficult Furtive Life Represent Thinking Way

I’m still very grateful to digital cameras in general, but I didn’t have this feeling with the RED one.

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I’m still very grateful to digital cameras in general, but I didn’t have this feeling with the RED one.

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