I do think that we are sometimes, as directors, guilty of portraying or asking our actors to behave in certain ways that are perhaps not very morally acceptable. I’m not the only one.
ABBAS KIAROSTAMIMy way of expression is full of complications and mystery because that’s my perception of life.
More Abbas Kiarostami Quotes
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Directors don’t always create, they can also destroy with too many demands.
ABBAS KIAROSTAMI -
People have curiosity, they have intelligence, they have interest in understanding their peers. But producers and directors of cinema have decided that the seats in the theaters have been made to transform people’s minds to lazy minds.
ABBAS KIAROSTAMI -
I spend a lot of time doing carpentry. Sometimes there is nothing that gives me the contentment that sawing a piece of wood does.
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A work of art doesn’t exist outside the perception of the audience.
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Therefore, when you see the end result, it’s difficult to see who’s the director, me or them. Ultimately, everything belongs to the actors – we just manage the situation.
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I’m not sure that my films show the reality of life in Iran; we show different aspects of life. Iran is a very extensive and expansive place, and sometimes, even for us who live there, some of the realities are very hard to comprehend.
ABBAS KIAROSTAMI -
When you take a tree that is rooted in the ground, and transfer it from one place to another, the tree will no longer bear fruit.
ABBAS KIAROSTAMI -
In my opinion the man looks at the relationship in a more bitter fashion and the woman still holds great hopes.
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In real life, when someone’s partner calls them, they can tell from the first word their partner says what their mood is.
ABBAS KIAROSTAMI -
It’s true that the best way of knowing yourself is to put yourself into different situations.
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The digital camera has given me total freedom and a different way of filming.
ABBAS KIAROSTAMI -
I’ve often noticed that we are not able to look at what we have in front of us, unless it’s inside a frame.
ABBAS KIAROSTAMI -
It’s not so much a question of whether we’ve shot it through 35mm or digital video; what is important is whether the audience accepts it as real.
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In my films, I try to give people as little information as possible, which is still much more than what they get in real life. I feel that they should be grateful for the little bit of information I give them.
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Close-Up is a very particular film in my oeuvre. It’s a film that was made in a very particular way; mainly because I didn’t really have the time to think about how to go about making the film.
ABBAS KIAROSTAMI






