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This [the earthquake] was a very big influence on me, and the issue of life and death from then on does recur in my films.

Abbas Kiarostami

This was pointed out to me by somebody who referred to the paintings of Rembrandt and his use of light: some elements are highlighted while others are obscured or even pushed back into the dark.
ABBAS KIAROSTAMI

Dark Element Light Painting Pointed Referred Use
I have somewhat lost my enthusiasm in the last years. Mainly because film students using digital video these days have not really produced anything which is more than superficial or simplistic; so I have my doubts.
ABBAS KIAROSTAMI

Action Camera Digital Doubt Light Produces Proud Video Year
I thought that choosing a non-professional was a condition for me, because it would allow Juliette to have a less-professional way of acting. It would challenge her performance as a professional actress.
ABBAS KIAROSTAMI

Actress Challenges Acting Juliette Performance Professional Way
Good cinema is what we can believe and bad cinema is what we can’t believe. What you see and believe in is very much what I’m interested in.
ABBAS KIAROSTAMI

Believe Cinema Good Interested
If you are a businessman or a politician in Iran, you can get a visa as quickly as you ask for it.
ABBAS KIAROSTAMI

Ask Businessman Iran Politician Quickly
We are nothing but a link between our culture and what we can actually produce.
ABBAS KIAROSTAMI

Actual Between Culture Link Nothing Produce
When I’m in the process of making a movie I’m not thinking about the finished result, and whether people have to see it once or more than once, and what the reaction to it will be. I just make it, and then I live with the consequences.
ABBAS KIAROSTAMI

Finish Making More Movie People Process Talking Thinking
Therefore, when you see the end result, it’s difficult to see who’s the director, me or them. Ultimately, everything belongs to the actors – we just manage the situation.
ABBAS KIAROSTAMI

Actors End Belong Difficult Director Film Ultimately
Whether you consider me a master filmmaker or not, I do it with my intuition and my vision, my experience as a storyteller.
ABBAS KIAROSTAMI

Consider Filmmaker Intuition Master Storyteller Vision
My films have been progressing towards a certain kind of minimalism, even though it was never intended. Elements which can be eliminated have been eliminated.
ABBAS KIAROSTAMI

Element Eliminated Film Kind Minimalism Progress Progressive
In my mind, there isn’t as much of a distinction between documentary and fiction as there is between a good movie and a bad one.
ABBAS KIAROSTAMI

Bad Distinction Documentary Fiction Good Good Movie Mind Movie
Having an international voice is not really about whether we speak Persian or any other language.
ABBAS KIAROSTAMI

International Language Persian Speak Voice
I don’t like reverse-angle shots – I find them very fake and very untruthful to the viewer.
ABBAS KIAROSTAMI

Angle Fake Reverse Shot Untruthful
I thought that I had been asked every kind of question possible.
ABBAS KIAROSTAMI

Asked Kind Possible Question
I spend a lot of time doing carpentry. Sometimes there is nothing that gives me the contentment that sawing a piece of wood does.
ABBAS KIAROSTAMI

Carpentry Contentment Doe Giving Spend Wood
While shooting Ten I was sitting in the backseat, but I didn’t interfere. Sometimes, I was following in another car, so I was not even present on the “set”, because I thought they would work better in my absence.
ABBAS KIAROSTAMI

Backseat Car Interfere Present Shooting Sitting Ten

This [the earthquake] was a very big influence on me, and the issue of life and death from then on does recur in my films.

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This [the earthquake] was a very big influence on me, and the issue of life and death from then on does recur in my films.

Related Topics

Popular Authors

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