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In order to be able to cooperate with a child, you have to come down to below their level in order to communicate with them. Actors are also like children.

Abbas Kiarostami

I really haven’t seen The Report in a long time. I don’t have a copy, but I’ll have to see it again. I think it would be good to put both these men next to each other.
ABBAS KIAROSTAMI

Copy Long Men Report Thinking Time
I prefer the films that put their audience to sleep in the theater. Some films have made me doze off in the theater, but the same films have made me stay up at night, wake up thinking about them in the morning, and keep on thinking about them for weeks.
ABBAS KIAROSTAMI

Audience Film Morning Night Sleep Theatre
It seems that film-makers are being divided between those working in digital and those who are not. I think it’s not something predetermined – it all depends on what project we have in mind, and on that basis we choose the medium.
ABBAS KIAROSTAMI

Digital Film Maker Mind Predetermined Something Thinking Working
Unfortunately, cinema critics are very few in America, 400-500 people, but there are more critics of Iran.
ABBAS KIAROSTAMI

America Cinema Critics Few Iran More People Unfortunately
A work of art doesn’t exist outside the perception of the audience.
ABBAS KIAROSTAMI

Art Audience Exist Outside Perception Work
Anything I’ve not experienced I do not look to for a subject. I have to feel it.
ABBAS KIAROSTAMI

Experienced Feel Look Looks Subject
Whether you consider me a master filmmaker or not, I do it with my intuition and my vision, my experience as a storyteller.
ABBAS KIAROSTAMI

Consider Filmmaker Intuition Master Storyteller Vision
I wasn’t searching for a common denominator – I started wondering about the challenge of working in other cultures. What I reached was the sudden acknowledgment of the universal aspect of filmmaking.
ABBAS KIAROSTAMI

Challenges Common Other Cultures
I spend a lot of time doing carpentry. Sometimes there is nothing that gives me the contentment that sawing a piece of wood does.
ABBAS KIAROSTAMI

Carpentry Contentment Doe Giving Spend Wood
I’m not sure that my films show the reality of life in Iran; we show different aspects of life. Iran is a very extensive and expansive place, and sometimes, even for us who live there, some of the realities are very hard to comprehend.
ABBAS KIAROSTAMI

Aspect Different Expansive Extensive Iran Place Reality Show
People have curiosity, they have intelligence, they have interest in understanding their peers. But producers and directors of cinema have decided that the seats in the theaters have been made to transform people’s minds to lazy minds.
ABBAS KIAROSTAMI

Cinema Curiosity Director Intelligence Interest Peer People Producer Understanding
Those same people, when they leave the theater, when they look behind the curtains they are curious about their neighbors, they can guess if their neighbors are siblings or a couple, how old they are, what their occupation is.
ABBAS KIAROSTAMI

Couple Curtain Guess Neighbour People Sibling
A movie is about human beings, about humanity.
ABBAS KIAROSTAMI

Human Being Humanity Movie
The Iranian government as a whole has no relationship with my films. They’re not particularly interested, perhaps this kind of cinema is not very interesting to them.
ABBAS KIAROSTAMI

Cinema Film Government Interesting Iranian Perhaps Relationship
The day we run out of petrol is the day Iran will be free.
ABBAS KIAROSTAMI

Day Free Iran Petrol Run Running
I never reflect or convey that which I have not experienced myself.
ABBAS KIAROSTAMI

Convey Experienced Myself never Reflect

In order to be able to cooperate with a child, you have to come down to below their level in order to communicate with them. Actors are also like children.

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In order to be able to cooperate with a child, you have to come down to below their level in order to communicate with them. Actors are also like children.

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Popular Authors

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