Therefore, when you see the end result, it’s difficult to see who’s the director, me or them. Ultimately, everything belongs to the actors – we just manage the situation.
ABBAS KIAROSTAMIMaybe more than a teller, I am a story listener. I really enjoy listening to stories. I remember them and keep them in my mind. All of my films are a collection of small stories that have been told to me.
More Abbas Kiarostami Quotes
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In my opinion the man looks at the relationship in a more bitter fashion and the woman still holds great hopes.
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Religion works on some people but not on everyone, because it says, ‘Stop thinking and accept what I tell you.’ That’s not valid for people who want to think and reflect.
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I have received the digital camera as a blessing. It has really changed my life as a filmmaker, because I don’t use my camera anymore as a camera. I don’t feel it as a camera.
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I believe there’s only good cinema and bad cinema.
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There were years when Hitchcock was like a master to me, but now I think he’s so artificial. I can watch films and say how technically beautiful they are, but I’m not impressed by any technicality.
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A movie is about human beings, about humanity.
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I thought that I had been asked every kind of question possible.
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As soon as people enter a theater they must become moron consumers who must be fed information.
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I think that if you’re a digital thinker, you can use a digital camera.
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Unfortunately, cinema critics are very few in America, 400-500 people, but there are more critics of Iran.
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There are certainties in existence, but love is something much harder to define than light and dark, life and death. I think saying you are “like” someone in love sounds right.
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It’s very true that non-actors feel more comfortable in front of a digital camera, without the lights and the large crowd around them, and we arrive at much more intimate moments with them.
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The one-word cinema wasn’t possible for me anymore. I’d hit a wall, a dead end. Therefore I thought I’d turn back.
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In my films, I try to give people as little information as possible, which is still much more than what they get in real life. I feel that they should be grateful for the little bit of information I give them.
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The Iranian government as a whole has no relationship with my films. They’re not particularly interested, perhaps this kind of cinema is not very interesting to them.
ABBAS KIAROSTAMI