I thought that choosing a non-professional was a condition for me, because it would allow Juliette to have a less-professional way of acting. It would challenge her performance as a professional actress.
ABBAS KIAROSTAMIDespite the great advantages of digital video and the great ease of using the medium, still those who use it have first to understand the sensitivities of how to best use the medium.
More Abbas Kiarostami Quotes
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If it does, the fruit will not be as good as it was in its original place. This is a rule of nature. I think if I had left my country, I would be the same as the tree.
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Unfortunately, cinema critics are very few in America, 400-500 people, but there are more critics of Iran.
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I wasn’t searching for a common denominator – I started wondering about the challenge of working in other cultures. What I reached was the sudden acknowledgment of the universal aspect of filmmaking.
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I never reflect or convey that which I have not experienced myself.
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All the different nations in the world, despite their differences of appearance and religion and language and way of life, still have one thing in common, and that is what’s inside of all of us.
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I do believe that a film like Ten could never have been made with a 35mm camera. The first part of the film lasts 17 minutes, and by the end of that part, the kid has totally forgotten the camera.
ABBAS KIAROSTAMI -
It’s true that the best way of knowing yourself is to put yourself into different situations.
ABBAS KIAROSTAMI -
I believe there’s only good cinema and bad cinema.
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As long as I take the responsibility of the choice, I have to make the choice that is as right as possible.
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I have no advice for anyone on how to live.
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If you are a businessman or a politician in Iran, you can get a visa as quickly as you ask for it.
ABBAS KIAROSTAMI -
Film is very much a universal and common voice, and we can’t limit it to one particular culture.
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My way of expression is full of complications and mystery because that’s my perception of life.
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The film [Close Up] made itself, to a large extent. The characters involved were very real, I wasn’t directing the actors so much as being directed by them. So it was a very particular film.
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I think that if you’re a digital thinker, you can use a digital camera.
ABBAS KIAROSTAMI