I spend a lot of time doing carpentry. Sometimes there is nothing that gives me the contentment that sawing a piece of wood does.
ABBAS KIAROSTAMIAs soon as people enter a theater they must become moron consumers who must be fed information.
More Abbas Kiarostami Quotes
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I am still very surprised that I managed to make that film [Close Up]. When I actually look back on that film, I really feel that I was not the director but instead just a member of the audience.
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The film [Close Up] made itself, to a large extent. The characters involved were very real, I wasn’t directing the actors so much as being directed by them. So it was a very particular film.
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I don’t like reverse-angle shots – I find them very fake and very untruthful to the viewer.
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Cinema seats make people lazy. They expect to be given all the information. But for me, question marks are the punctuation of life.
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I believe there’s only good cinema and bad cinema.
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There were years when Hitchcock was like a master to me, but now I think he’s so artificial. I can watch films and say how technically beautiful they are, but I’m not impressed by any technicality.
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Using non-actors has its own rules and really requires that you allow them to do their own thing.
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I really haven’t seen The Report in a long time. I don’t have a copy, but I’ll have to see it again. I think it would be good to put both these men next to each other.
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There are certainties in existence, but love is something much harder to define than light and dark, life and death. I think saying you are “like” someone in love sounds right.
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In my experience as a director, I think there is obviously something of the way men – maybe that’s a common point with Shirin – the way men see women in the film, and the way these two characters see each other.
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We don’t look at each other [in the car], but instead do so only when we want to. We’re allowed to look around without appearing rude. We have a big screen in front of us and side views.
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I have a picture from the end of the shoot, and in it I have lost all my hair.
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I only make notes, I don’t write dialogues in full. And the notes are very much based on my knowledge of person.
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I don’t have very complete scripts for my films. I have a general outline and a character in my mind, and I make no notes until I find the character who’s in my mind in reality.
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I do believe in [Robert] Bresson’s method of creation through omission, not through addition.
ABBAS KIAROSTAMI






