I grew up in the theatre. It’s where I got my start. Writing a television drama with theatrical dialogue about the theatre is beyond perfection.
AARON SORKINTrying to guess what the (mass) audience wants and then trying to satisfy that is usually a bad recipe for getting something good.
More Aaron Sorkin Quotes
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President Bartlet: There’s a delegation of cardiologists having their pictures taken in the Blue Room. You wouldn’t think you could find a group of people more arrogant than the fifteen of us, but there they are, right upstairs in the Blue Room.
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Any time you get two people in a room who disagree about anything, the time of day, there is a scene to be written. That’s what I look for.
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She’s a person; the doctor pronounces her dead, not the news.
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There’s that process of writing it – then you come out of your room into the sunlight, and you now have to complete the circuit and make the connection finally with the audience.
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When I feel that something I’m writing is going well, everything in my life is good and the things in my life that aren’t good are completely manageable. If it’s not going well, Miss America could be standing there in a swimsuit handing me a nobel price and I wouldn’t be happy about it
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It wouldn’t kill you to watch a film or pick up a newspaper once in a while.
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There are no Asian movie stars
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Writing anything, it sorta starts the way you’d build a castle at the beach. You’re just taking your hands and you’re mounting up sand.
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Honestly, I don’t try to guess at what most people want. I don’t think I’d guess right, and I just think that that’s not a good recipe for storytelling. I try to write what I like, what I think my friends would like.
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It seems to me that more and more we’ve come to expect less and less from each other, and I think that should change.
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What’s interesting, is that I’ve found that the more accomplished a director is, the more secure they are in giving direction that sounds incredibly unsophisticated.
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People who don’t know anything tend to make up fake rules, the real rules being considerably more difficult to learn.
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With a television series, there’s a hard deadline, and so you have to write even when you’re not writing well.
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As a dramatist, you’re looking for points of friction.
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You know, one of the things I like about this world, or at least I like about the way we’re presenting this world, is these issues are terribly complicated – not nearly as black and white as we’re led to believe.
AARON SORKIN