I’m terribly afraid of failure. When your identity is wrapped up in writing and you’ve written something that doesn’t work, it’s a tough pill to swallow.
AARON SORKINI have a lot of respect for people who are great at ad-libbing, and for writers and directors who are able to create a scene in which that works.
More Aaron Sorkin Quotes
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Josh: So, Toby, it’s election night. What do you say about a country that goes out of its way to protect even those citizens that try to destroy it? Toby: God bless America.
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Any time you get two people in a room who disagree about anything, the time of day, there is a scene to be written. That’s what I look for.
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I don’t believe there are two sides to every argument. I think the facts are the center. And watching the news abandon the facts in favor of “fairness” is what’s troubling to me.
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I grew up in the theatre. It’s where I got my start. Writing a television drama with theatrical dialogue about the theatre is beyond perfection.
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My resting pulse as a writer is writing idealistically and romantically; aspirationally. My taste lies in quixotic heroes.
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If you feel that strongly about something, you have an obligation to try and change my mind.
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Certainly, last year we did an episode about the census and sampling versus a direct statistic. You just said the word ‘census’, and people fall asleep.
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The thing I know how to do most is write a play. I came up loving plays and learning about plays and writing plays. I actually feel like an outsider when I’m writing movies and television.
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It seems to me that more and more we’ve come to expect less and less from each other, and I think that should change.
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Writing anything, it sorta starts the way you’d build a castle at the beach. You’re just taking your hands and you’re mounting up sand.
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If you feel that strongly about something, you have an obligation to try and change my mind.
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People who don’t know anything tend to make up fake rules, the real rules being considerably more difficult to learn.
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There are no Asian movie stars
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The stuff that I write doesn’t work very well as background music. You have to watch it from beginning to end and pay attention as if you were watching a play.
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I consider plot a necessary intrusion on what I really want to do, which is write snappy dialogue. But when I’m writing, the way the words sound is as important to me as what they mean.
AARON SORKIN






