Certainly, last year we did an episode about the census and sampling versus a direct statistic. You just said the word ‘census’, and people fall asleep.
AARON SORKINI don’t think I write differently when I’m writing a screenplay, as opposed to a stage play or a teleplay. Maybe if I were in a film class and there was time to think about it, we could point out differences.
More Aaron Sorkin Quotes
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My preference would have been to not go back on the air after 911, at all until the time felt right but that wasn’t an option.
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I’m a registered Republican, I only seem liberal because I believe that hurricanes are caused by high barometric pressure and not gay marriage.
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I would love for people to think that I am as quick, clever, smart and heroic as the characters that I write, but those characters are characters.
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I don’t believe there are two sides to every argument. I think the facts are the center. And watching the news abandon the facts in favor of “fairness” is what’s troubling to me.
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When I was a kid, I wanted to be an actor. I was acting in all the school plays. I went to school for acting. I was really sure that that’s what I wanted to do.
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My resting pulse as a writer is writing idealistically and romantically; aspirationally. My taste lies in quixotic heroes.
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I don’t believe there are two sides to every argument. I think the facts are the center. And watching the news abandon the facts in favor of “fairness” is what’s troubling to me.
AARON SORKIN -
Elite is not a bad word, it’s an aspirational one.
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As an audience member, I like the sound of something that’s been written – I like it to sound written. And then, of course, you can’t do it without the musicians who can play it.
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Just to clarify the division of labor on the show, I write the show and Alan [Poul] does everything else.
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Toby Zeigler: There’s literally no one in the world I don’t hate right now.
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I’m sick of girls who don’t know how to high-five.
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If you feel that strongly about something, you have an obligation to try and change my mind.
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Trying to guess what the (mass) audience wants and then trying to satisfy that is usually a bad recipe for getting something good.
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As a dramatist, you’re looking for points of friction.
AARON SORKIN






