black
grey
blue
red
brown
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However, I must stress that my own interest is immediate and in the picture. What I am conscious of and what I feel is the picture I am making, the relation of that picture to others I have made and, more generally, its relation to others I have experienced.

Aaron Siskind

Everybody believes that, but you have to really believe that and work that way.
AARON SISKIND

Believe Everybody Photography Really Way Work
If you look very intensely and slowly things will happen that you never dreamed of before.
AARON SISKIND

Before Dream Happen Intense Look Photographer Slowly
I may be wrong, but the essential illustrative nature of most documentary photography, and the worship of the object per se, in our best nature photography, is not enough to satisfy the man of today, compounded as he is of Christ, Freud, and Marx.
AARON SISKIND

Documentary Essential Men Photography Worship Wrong
Photography is a way of feeling, of touching, of loving.
AARON SISKIND

Feeling Loving Photography Touching Way
When I make a photograph I want it to be an altogether new object, complete and self-contained, whose basic condition is order (unlike the world of events and actions whose permanent condition is change and disorder).
AARON SISKIND

Altogether Basic Complete Contained New Object Order Photography Self
We look at the world and see what we have learned to believe is there. We have been conditioned to expect… but, as photographers, we must learn to relax our beliefs.
AARON SISKIND

Art Believe Condition Expert Learn Photography World
The only nature I’m interested in is my own nature.
AARON SISKIND

Interested Nature Own Photographer Photography
In any art, you don’t know in advance what you want to say – it’s revealed to you as you say it. That’s the difference between art and illustration.
AARON SISKIND

Advance Art Creativity Difference Illustration Photography Revealed Want
The only other things I got from the abstract expressionists is the absolute belief that this canvas is the complete total area of struggle, this is the arena, this is where the fight is taking place, the battle.
AARON SISKIND

Absolute Art Believe Canvas Complete Expression Fighting Struggle
As the language or vocabulary of photography has been extended, the emphasis of meaning has shifted, shifted from what the world looks like to what we feel about the world and what we want the world to mean.
AARON SISKIND

Emphasis Extted Language Mean Photography Shift Vocabulary
Photography is a way of feeling, of touching, of loving. What you have caught on film is captured forever… it remembers little things, long after you have forgotten everything.
AARON SISKIND

Caught Feeling Inspirational Inspiring Photography Touching Way
The business of making a photograph may be said in simple terms to consist of three elements: the objective world (whose permanent condition is change and disorder), the sheet of paper on which the picture will be realized, and the experience which brings them together.
AARON SISKIND

Business Consist Element Objective Photography Simple Term Together
It is no longer a matter of expressing reality, but of expressing what one feels about reality.
AARON SISKIND

Expression Feel Longer Matter Reality
To me documentary photography means making a picture so that the viewer doesn’t think about the man who made the picture. At its esthetic core is very old tradition in art: naturalism.
AARON SISKIND

Art Documentary Man Mean Photography Picture Tradition Viewer
Almost inevitably there are tensions in the picture, tensions between the outside world and the inside world. For me, a successful picture resolves these tensions without eliminating them.
AARON SISKIND

Inevitably Inside Outside Photographer Successful Tension World
Purpose is to document all facets of social relationships.
AARON SISKIND

Document Facet Purpose Relationship Social

However, I must stress that my own interest is immediate and in the picture. What I am conscious of and what I feel is the picture I am making, the relation of that picture to others I have made and, more generally, its relation to others I have experienced.

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However, I must stress that my own interest is immediate and in the picture. What I am conscious of and what I feel is the picture I am making, the relation of that picture to others I have made and, more generally, its relation to others I have experienced.

Related Topics

Popular Authors

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