Most people use music as a couch; they want to be pillowed on it, relaxed and consoled for the stress of daily living. But serious music was never meant to be soporific.
AARON COPLANDMozart tapped the source from which all music flows, expressing himself with a spontaneity and refinement and breathtaking rightness.
More Aaron Copland Quotes
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So long as the human spirit thrives on this planet, music in some living form will accompany and sustain it and give it expressive meaning.
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A melody is not merely something you can hum.
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The main thing is to be satisfied with your work yourself. It’s useless to have an audience happy if you are not happy.
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I adore extravagance but I abhor waste.
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When I speak of the gifted listener, I am thinking of the nonmusician primarily, of the listener who intends to retain his amateur status. It is the thought of just such a listener that excites the composer in me.
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Arthur V. Berger commenting on the music of Aaron Copland: Here is at last an American that we may place unapologetically beside the great recognized creative figures of any other country.
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I don’t compose. I assemble materials.
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To stop the flow of music would be like the stopping of time itself, incredible and inconceivable.
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Music that is born complex is not inherently better or worse than music that is born simple.
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The greatest moments of the human spirit may be deduced from the greatest moments in music.
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A great symphony is a man-made Mississippi down which we irresistibly flow from the instant of our leave-taking to a long forseen destination.
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The whole problem can be stated quite simply by asking “Is there a meaning to music?” My answer would be, “Yes”, And “Can you state in so many words what the meaning is?” My answer to that would be “No.”
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If one were asked to name one musician who came closest to composing without human flaw, I suppose general consensus would choose Johann Sebastian Bach.
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Someone once asked me… whether I waited for inspiration. My answer was: “Every day!”
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I hope my recordings of my own works won’t inhibit other people’s performances. The brutal fact is that one doesn’t always get the exact tempo one wants, although one improves with experience.
AARON COPLAND