This whole problem can be stated quite simply by asking, “Is there a meaning to music?” My answer to that would be, “Yes.” And “Can you state in so many words what the meaning is?” My answer to that would be, “No.”
AARON COPLANDComposers tend to assume that everyone loves music. Surprisingly enough, everyone doesn’t.
More Aaron Copland Quotes
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If a literary man puts together two words about music, one of them will be wrong.
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A great symphony is a man-made Mississippi down which we irresistibly flow from the instant of our leave-taking to a long forseen destination.
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Someone once asked me… whether I waited for inspiration. My answer was: “Every day!”
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The melody is generally what the piece is all about.
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The main thing is to be satisfied with your work yourself. It’s useless to have an audience happy if you are not happy.
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I hope my recordings of my own works won’t inhibit other people’s performances. The brutal fact is that one doesn’t always get the exact tempo one wants, although one improves with experience.
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Inspiration may be a form of superconsciousness, or perhaps of subconsciousness – I wouldn’t know. But I am sure it is the antithesis of self-consciousness.
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You compose because you want to somehow summarize in some permanent form your most basic feelings about being alive, to set down some sort of permanent statement about the way it feels to live now, today.
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So long as the human spirit thrives on this planet, music in some living form will accompany and sustain it and give it expressive meaning.
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If you want to know about the Sixties, play the music of The Beatles.
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Arthur V. Berger commenting on the music of Aaron Copland: Here is at last an American that we may place unapologetically beside the great recognized creative figures of any other country.
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The greatest moments of the human spirit may be deduced from the greatest moments in music.
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Composers tend to assume that everyone loves music. Surprisingly enough, everyone doesn’t.
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Mozart tapped the source from which all music flows, expressing himself with a spontaneity and refinement and breathtaking rightness.
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If one were asked to name one musician who came closest to composing without human flaw, I suppose general consensus would choose Johann Sebastian Bach.
AARON COPLAND