If a literary man puts together two words about music, one of them will be wrong.
AARON COPLANDMost people use music as a couch; they want to be pillowed on it, relaxed and consoled for the stress of daily living. But serious music was never meant to be soporific.
More Aaron Copland Quotes
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I don’t compose. I assemble materials.
AARON COPLAND -
Most people use music as a couch; they want to be pillowed on it, relaxed and consoled for the stress of daily living. But serious music was never meant to be soporific.
AARON COPLAND -
Music that is born complex is not inherently better or worse than music that is born simple.
AARON COPLAND -
A great symphony is a man-made Mississippi down which we irresistibly flow from the instant of our leave-taking to a long forseen destination.
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If one were asked to name one musician who came closest to composing without human flaw, I suppose general consensus would choose Johann Sebastian Bach.
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You compose because you want to somehow summarize in some permanent form your most basic feelings about being alive, to set down some sort of permanent statement about the way it feels to live now, today.
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Composers tend to assume that everyone loves music. Surprisingly enough, everyone doesn’t.
AARON COPLAND -
I adore extravagance but I abhor waste.
AARON COPLAND -
You may feel depressed, but it can’t be so depressing that you can’t move. No, I would say that people create in moments when they are elated about expressing their depression!
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Arthur V. Berger commenting on the music of Aaron Copland: Here is at last an American that we may place unapologetically beside the great recognized creative figures of any other country.
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Inspiration may be a form of superconsciousness, or perhaps of subconsciousness – I wouldn’t know. But I am sure it is the antithesis of self-consciousness.
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The greatest moments of the human spirit may be deduced from the greatest moments in music.
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To stop the flow of music would be like the stopping of time itself, incredible and inconceivable.
AARON COPLAND -
If you want to know about the Sixties, play the music of The Beatles.
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When I speak of the gifted listener, I am thinking of the nonmusician primarily, of the listener who intends to retain his amateur status. It is the thought of just such a listener that excites the composer in me.
AARON COPLAND