To stop the flow of music would be like the stopping of time itself, incredible and inconceivable.
AARON COPLANDMost people use music as a couch; they want to be pillowed on it, relaxed and consoled for the stress of daily living. But serious music was never meant to be soporific.
More Aaron Copland Quotes
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You may feel depressed, but it can’t be so depressing that you can’t move. No, I would say that people create in moments when they are elated about expressing their depression!
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The main thing is to be satisfied with your work yourself. It’s useless to have an audience happy if you are not happy.
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Someone once asked me… whether I waited for inspiration. My answer was: “Every day!”
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The whole problem can be stated quite simply by asking “Is there a meaning to music?” My answer would be, “Yes”, And “Can you state in so many words what the meaning is?” My answer to that would be “No.”
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Mozart tapped the source from which all music flows, expressing himself with a spontaneity and refinement and breathtaking rightness.
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I don’t compose. I assemble materials.
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So long as the human spirit thrives on this planet, music in some living form will accompany and sustain it and give it expressive meaning.
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You compose because you want to somehow summarize in some permanent form your most basic feelings about being alive, to set down some sort of permanent statement about the way it feels to live now, today.
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I hope my recordings of my own works won’t inhibit other people’s performances. The brutal fact is that one doesn’t always get the exact tempo one wants, although one improves with experience.
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I adore extravagance but I abhor waste.
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Inspiration may be a form of superconsciousness, or perhaps of subconsciousness – I wouldn’t know. But I am sure it is the antithesis of self-consciousness.
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The melody is generally what the piece is all about.
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Arthur V. Berger commenting on the music of Aaron Copland: Here is at last an American that we may place unapologetically beside the great recognized creative figures of any other country.
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If one were asked to name one musician who came closest to composing without human flaw, I suppose general consensus would choose Johann Sebastian Bach.
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Listening to the Fifth Symphony of Ralph Vaughan Williams is like staring at a cow for 45 minutes.
AARON COPLAND