I hope my recordings of my own works won’t inhibit other people’s performances. The brutal fact is that one doesn’t always get the exact tempo one wants, although one improves with experience.
AARON COPLANDI adore extravagance but I abhor waste.
More Aaron Copland Quotes
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The greatest moments of the human spirit may be deduced from the greatest moments in music.
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If you want to know about the Sixties, play the music of The Beatles.
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Arthur V. Berger commenting on the music of Aaron Copland: Here is at last an American that we may place unapologetically beside the great recognized creative figures of any other country.
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So long as the human spirit thrives on this planet, music in some living form will accompany and sustain it and give it expressive meaning.
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The melody is generally what the piece is all about.
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Mozart tapped the source from which all music flows, expressing himself with a spontaneity and refinement and breathtaking rightness.
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Inspiration may be a form of superconsciousness, or perhaps of subconsciousness – I wouldn’t know. But I am sure it is the antithesis of self-consciousness.
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I adore extravagance but I abhor waste.
AARON COPLAND -
The whole problem can be stated quite simply by asking “Is there a meaning to music?” My answer would be, “Yes”, And “Can you state in so many words what the meaning is?” My answer to that would be “No.”
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Music that is born complex is not inherently better or worse than music that is born simple.
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You may feel depressed, but it can’t be so depressing that you can’t move. No, I would say that people create in moments when they are elated about expressing their depression!
AARON COPLAND -
This whole problem can be stated quite simply by asking, “Is there a meaning to music?” My answer to that would be, “Yes.” And “Can you state in so many words what the meaning is?” My answer to that would be, “No.”
AARON COPLAND -
You compose because you want to somehow summarize in some permanent form your most basic feelings about being alive, to set down some sort of permanent statement about the way it feels to live now, today.
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Most people use music as a couch; they want to be pillowed on it, relaxed and consoled for the stress of daily living. But serious music was never meant to be soporific.
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When I speak of the gifted listener, I am thinking of the nonmusician primarily, of the listener who intends to retain his amateur status. It is the thought of just such a listener that excites the composer in me.
AARON COPLAND