Arthur V. Berger commenting on the music of Aaron Copland: Here is at last an American that we may place unapologetically beside the great recognized creative figures of any other country.
AARON COPLANDThis whole problem can be stated quite simply by asking, “Is there a meaning to music?” My answer to that would be, “Yes.” And “Can you state in so many words what the meaning is?” My answer to that would be, “No.”
More Aaron Copland Quotes
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Mozart tapped the source from which all music flows, expressing himself with a spontaneity and refinement and breathtaking rightness.
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Listening to the Fifth Symphony of Ralph Vaughan Williams is like staring at a cow for 45 minutes.
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Most people use music as a couch; they want to be pillowed on it, relaxed and consoled for the stress of daily living. But serious music was never meant to be soporific.
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I don’t compose. I assemble materials.
AARON COPLAND -
Music that is born complex is not inherently better or worse than music that is born simple.
AARON COPLAND -
If a literary man puts together two words about music, one of them will be wrong.
AARON COPLAND -
A melody is not merely something you can hum.
AARON COPLAND -
This whole problem can be stated quite simply by asking, “Is there a meaning to music?” My answer to that would be, “Yes.” And “Can you state in so many words what the meaning is?” My answer to that would be, “No.”
AARON COPLAND -
The main thing is to be satisfied with your work yourself. It’s useless to have an audience happy if you are not happy.
AARON COPLAND -
The greatest moments of the human spirit may be deduced from the greatest moments in music.
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I hope my recordings of my own works won’t inhibit other people’s performances. The brutal fact is that one doesn’t always get the exact tempo one wants, although one improves with experience.
AARON COPLAND -
A great symphony is a man-made Mississippi down which we irresistibly flow from the instant of our leave-taking to a long forseen destination.
AARON COPLAND -
If one were asked to name one musician who came closest to composing without human flaw, I suppose general consensus would choose Johann Sebastian Bach.
AARON COPLAND -
When I speak of the gifted listener, I am thinking of the nonmusician primarily, of the listener who intends to retain his amateur status. It is the thought of just such a listener that excites the composer in me.
AARON COPLAND -
The whole problem can be stated quite simply by asking “Is there a meaning to music?” My answer would be, “Yes”, And “Can you state in so many words what the meaning is?” My answer to that would be “No.”
AARON COPLAND