This whole problem can be stated quite simply by asking, “Is there a meaning to music?” My answer to that would be, “Yes.” And “Can you state in so many words what the meaning is?” My answer to that would be, “No.”
AARON COPLANDI hope my recordings of my own works won’t inhibit other people’s performances. The brutal fact is that one doesn’t always get the exact tempo one wants, although one improves with experience.
More Aaron Copland Quotes
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The melody is generally what the piece is all about.
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Arthur V. Berger commenting on the music of Aaron Copland: Here is at last an American that we may place unapologetically beside the great recognized creative figures of any other country.
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The main thing is to be satisfied with your work yourself. It’s useless to have an audience happy if you are not happy.
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You compose because you want to somehow summarize in some permanent form your most basic feelings about being alive, to set down some sort of permanent statement about the way it feels to live now, today.
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Music that is born complex is not inherently better or worse than music that is born simple.
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To stop the flow of music would be like the stopping of time itself, incredible and inconceivable.
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A great symphony is a man-made Mississippi down which we irresistibly flow from the instant of our leave-taking to a long forseen destination.
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I adore extravagance but I abhor waste.
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Inspiration may be a form of superconsciousness, or perhaps of subconsciousness – I wouldn’t know. But I am sure it is the antithesis of self-consciousness.
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Composers tend to assume that everyone loves music. Surprisingly enough, everyone doesn’t.
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I don’t compose. I assemble materials.
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If you want to know about the Sixties, play the music of The Beatles.
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Someone once asked me… whether I waited for inspiration. My answer was: “Every day!”
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Most people use music as a couch; they want to be pillowed on it, relaxed and consoled for the stress of daily living. But serious music was never meant to be soporific.
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If one were asked to name one musician who came closest to composing without human flaw, I suppose general consensus would choose Johann Sebastian Bach.
AARON COPLAND