When I speak of the gifted listener, I am thinking of the nonmusician primarily, of the listener who intends to retain his amateur status. It is the thought of just such a listener that excites the composer in me.
AARON COPLANDSomeone once asked me… whether I waited for inspiration. My answer was: “Every day!”
More Aaron Copland Quotes
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Most people use music as a couch; they want to be pillowed on it, relaxed and consoled for the stress of daily living. But serious music was never meant to be soporific.
AARON COPLAND -
The whole problem can be stated quite simply by asking “Is there a meaning to music?” My answer would be, “Yes”, And “Can you state in so many words what the meaning is?” My answer to that would be “No.”
AARON COPLAND -
To stop the flow of music would be like the stopping of time itself, incredible and inconceivable.
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I hope my recordings of my own works won’t inhibit other people’s performances. The brutal fact is that one doesn’t always get the exact tempo one wants, although one improves with experience.
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So long as the human spirit thrives on this planet, music in some living form will accompany and sustain it and give it expressive meaning.
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The melody is generally what the piece is all about.
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Mozart tapped the source from which all music flows, expressing himself with a spontaneity and refinement and breathtaking rightness.
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I adore extravagance but I abhor waste.
AARON COPLAND -
You may feel depressed, but it can’t be so depressing that you can’t move. No, I would say that people create in moments when they are elated about expressing their depression!
AARON COPLAND -
If a literary man puts together two words about music, one of them will be wrong.
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The main thing is to be satisfied with your work yourself. It’s useless to have an audience happy if you are not happy.
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A great symphony is a man-made Mississippi down which we irresistibly flow from the instant of our leave-taking to a long forseen destination.
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I don’t compose. I assemble materials.
AARON COPLAND -
If one were asked to name one musician who came closest to composing without human flaw, I suppose general consensus would choose Johann Sebastian Bach.
AARON COPLAND -
This whole problem can be stated quite simply by asking, “Is there a meaning to music?” My answer to that would be, “Yes.” And “Can you state in so many words what the meaning is?” My answer to that would be, “No.”
AARON COPLAND