Right now it feels like we’re playing a role, like me and a couple of my friends, in where popular culture is going. That’s a very rare thing in a person’s life to be able to be a part of that. It’s a responsibility I take seriously.
A-TRAKThe essential component of being a DJ is setting the mood; it’s playing to the context. So that if you’re not able to adapt from one context to another, then you’re not a DJ.
More A-Trak Quotes
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I’m still a hip-hop producer. I never put a label on what I can do as a producer or a DJ.
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I think whether dance music had exploded in America, I still would’ve been a DJ a long time. This is my first love.
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There are things I like, there are things I strongly dislike. In my DJ sets and in my production I just gravitate towards what I like.
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That’s what a DJ is at the end of the day – someone who leads where the music goes. The only thing that’s changed is that in America, people have woken up in the last few years and realized it.
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I love disco and we sample it a lot for Duck Sauce. For me, that sound is kind of a new manifestation.
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It’s a good feeling to have something to stand for in any part of your life. It’s like personal integrity.
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I’m not even a trained producer. I just keep following my ear and working on stuff until it sounds the way I like it.
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I’ve been doing it since I was prepubescent when I loved to scratch records and play good music. As it happens, you know I sort of fell into the mix. I really feel like I played a role in bringing dance music to America years ago.
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We have to wake up early and make songs everyday. I run my record label. You work at hours where your body isn’t designed to work. But it’s fun.
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There’s a lot of producers that are much more technical or gear-skilled than I am. But I have a pure idea of what I like and where I want to go and I follow that.
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That was my challenge then, how to make scratching still fun for someone who didn’t necessarily come to hear that. It was fun to develop that technique. And now in dance music – I’m still a hip-hop guy at heart, but I love dance music.
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When I get up I still check the rap blogs before I check any kind of dance stuff.
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At the end of the day, Fool’s Gold is a label that, when I hear something I like, I try to grab it for the label. There’s a ton of great music coming out.
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A few guys will get up there with turntables as purists, to play vinyl or whatever.
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One thing that I learned in recent years from working more with other people is this idea that part of a producer’s job is to make people comfortable and confident.
A-TRAK