It’s always important to me to play something other DJs aren’t playing.
A-TRAKA few guys will get up there with turntables as purists, to play vinyl or whatever.
More A-Trak Quotes
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Building the scene, going out and doing shows and connecting with the fans, cultivating the fanbase in all these cities. I’m very glad that it’s happening.
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It’s a good feeling to have something to stand for in any part of your life. It’s like personal integrity.
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I worked with him for years. I still think Kanye [West] is one of the most important people in music in the last ten years.
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I think whether dance music had exploded in America, I still would’ve been a DJ a long time. This is my first love.
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My ears are open to all sorts of stuff. I appreciate some of the big electro house guys.I love their music but I also like a lot of the stuff coming out of the U.K. Future garage stuff. A lot of stuff like that.
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That was my challenge then, how to make scratching still fun for someone who didn’t necessarily come to hear that. It was fun to develop that technique. And now in dance music – I’m still a hip-hop guy at heart, but I love dance music.
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Right now it feels like we’re playing a role, like me and a couple of my friends, in where popular culture is going. That’s a very rare thing in a person’s life to be able to be a part of that. It’s a responsibility I take seriously.
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I’ve been doing it since I was prepubescent when I loved to scratch records and play good music. As it happens, you know I sort of fell into the mix. I really feel like I played a role in bringing dance music to America years ago.
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I’m not even a trained producer. I just keep following my ear and working on stuff until it sounds the way I like it.
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At the end of the day, Fool’s Gold is a label that, when I hear something I like, I try to grab it for the label. There’s a ton of great music coming out.
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I’m still a hip-hop producer. I never put a label on what I can do as a producer or a DJ.
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When I get up I still check the rap blogs before I check any kind of dance stuff.
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I think one of the biggest things that’s changed in terms of the rapport with the crowd is that now crowds come to hear our songs. We’re getting closer and closer to an artist performance.
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The essential component of being a DJ is setting the mood; it’s playing to the context. So that if you’re not able to adapt from one context to another, then you’re not a DJ.
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I was a bit of an outsider in the hip-hop world because I was a scratch kid and people weren’t necessarily trying to hear that all the time.
A-TRAK