Building the scene, going out and doing shows and connecting with the fans, cultivating the fanbase in all these cities. I’m very glad that it’s happening.
A-TRAKI’m still a hip-hop producer. I never put a label on what I can do as a producer or a DJ.
More A-Trak Quotes
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I think whether dance music had exploded in America, I still would’ve been a DJ a long time. This is my first love.
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I worked with him for years. I still think Kanye [West] is one of the most important people in music in the last ten years.
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We have to wake up early and make songs everyday. I run my record label. You work at hours where your body isn’t designed to work. But it’s fun.
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At the end of the day, Fool’s Gold is a label that, when I hear something I like, I try to grab it for the label. There’s a ton of great music coming out.
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I love disco and we sample it a lot for Duck Sauce. For me, that sound is kind of a new manifestation.
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I was a bit of an outsider in the hip-hop world because I was a scratch kid and people weren’t necessarily trying to hear that all the time.
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I think one of the biggest things that’s changed in terms of the rapport with the crowd is that now crowds come to hear our songs. We’re getting closer and closer to an artist performance.
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There’s a lot of producers that are much more technical or gear-skilled than I am. But I have a pure idea of what I like and where I want to go and I follow that.
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I have a radio show on Sirius XM. I put it up as a free download on my Soundcloud and on iTunes. That’s a portal for me once a month, to play songs I know aren’t getting played on that station the rest of the week.
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I’m one of the few DJs who uses turntables. I’m the only DJ that’s scratching.
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I’m still a hip-hop producer. I never put a label on what I can do as a producer or a DJ.
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I’m not even a trained producer. I just keep following my ear and working on stuff until it sounds the way I like it.
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That’s what a DJ is at the end of the day – someone who leads where the music goes. The only thing that’s changed is that in America, people have woken up in the last few years and realized it.
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The essential component of being a DJ is setting the mood; it’s playing to the context. So that if you’re not able to adapt from one context to another, then you’re not a DJ.
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One thing that I learned in recent years from working more with other people is this idea that part of a producer’s job is to make people comfortable and confident.
A-TRAK