A few guys will get up there with turntables as purists, to play vinyl or whatever.
A-TRAKAt the end of the day, Fool’s Gold is a label that, when I hear something I like, I try to grab it for the label. There’s a ton of great music coming out.
More A-Trak Quotes
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I’ve been doing it since I was prepubescent when I loved to scratch records and play good music. As it happens, you know I sort of fell into the mix. I really feel like I played a role in bringing dance music to America years ago.
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I was a bit of an outsider in the hip-hop world because I was a scratch kid and people weren’t necessarily trying to hear that all the time.
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I’m still a hip-hop producer. I never put a label on what I can do as a producer or a DJ.
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I have a radio show on Sirius XM. I put it up as a free download on my Soundcloud and on iTunes. That’s a portal for me once a month, to play songs I know aren’t getting played on that station the rest of the week.
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I’m not even a trained producer. I just keep following my ear and working on stuff until it sounds the way I like it.
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When I get up I still check the rap blogs before I check any kind of dance stuff.
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That’s what a DJ is at the end of the day – someone who leads where the music goes. The only thing that’s changed is that in America, people have woken up in the last few years and realized it.
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I think one of the biggest things that’s changed in terms of the rapport with the crowd is that now crowds come to hear our songs. We’re getting closer and closer to an artist performance.
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At festivals you kind of have to play the game a bit and you have to play a lot of the big bangers but it’s to me it’s extra gratifying to be able to play the non-bangers and make it work. Because that’s still the craft of the DJ, I think.
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The essential component of being a DJ is setting the mood; it’s playing to the context. So that if you’re not able to adapt from one context to another, then you’re not a DJ.
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We have to wake up early and make songs everyday. I run my record label. You work at hours where your body isn’t designed to work. But it’s fun.
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At the end of the day, Fool’s Gold is a label that, when I hear something I like, I try to grab it for the label. There’s a ton of great music coming out.
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One thing that I learned in recent years from working more with other people is this idea that part of a producer’s job is to make people comfortable and confident.
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I love disco and we sample it a lot for Duck Sauce. For me, that sound is kind of a new manifestation.
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There’s a lot of producers that are much more technical or gear-skilled than I am. But I have a pure idea of what I like and where I want to go and I follow that.
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