I have a radio show on Sirius XM. I put it up as a free download on my Soundcloud and on iTunes. That’s a portal for me once a month, to play songs I know aren’t getting played on that station the rest of the week.
A-TRAKI think one of the biggest things that’s changed in terms of the rapport with the crowd is that now crowds come to hear our songs. We’re getting closer and closer to an artist performance.
More A-Trak Quotes
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I was a bit of an outsider in the hip-hop world because I was a scratch kid and people weren’t necessarily trying to hear that all the time.
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It’s always important to me to play something other DJs aren’t playing.
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A few guys will get up there with turntables as purists, to play vinyl or whatever.
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There’s a lot of producers that are much more technical or gear-skilled than I am. But I have a pure idea of what I like and where I want to go and I follow that.
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Right now it feels like we’re playing a role, like me and a couple of my friends, in where popular culture is going. That’s a very rare thing in a person’s life to be able to be a part of that. It’s a responsibility I take seriously.
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I think whether dance music had exploded in America, I still would’ve been a DJ a long time. This is my first love.
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There are things I like, there are things I strongly dislike. In my DJ sets and in my production I just gravitate towards what I like.
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When I get up I still check the rap blogs before I check any kind of dance stuff.
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There’s a ton of amazing music that’s not getting heard.
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That’s what a DJ is at the end of the day – someone who leads where the music goes. The only thing that’s changed is that in America, people have woken up in the last few years and realized it.
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I’m still a hip-hop producer. I never put a label on what I can do as a producer or a DJ.
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Building the scene, going out and doing shows and connecting with the fans, cultivating the fanbase in all these cities. I’m very glad that it’s happening.
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I worked with him for years. I still think Kanye [West] is one of the most important people in music in the last ten years.
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The essential component of being a DJ is setting the mood; it’s playing to the context. So that if you’re not able to adapt from one context to another, then you’re not a DJ.
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I’m not even a trained producer. I just keep following my ear and working on stuff until it sounds the way I like it.
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