Right now it feels like we’re playing a role, like me and a couple of my friends, in where popular culture is going. That’s a very rare thing in a person’s life to be able to be a part of that. It’s a responsibility I take seriously.
A-TRAKI think one of the biggest things that’s changed in terms of the rapport with the crowd is that now crowds come to hear our songs. We’re getting closer and closer to an artist performance.
More A-Trak Quotes
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It’s always important to me to play something other DJs aren’t playing.
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I think one of the biggest things that’s changed in terms of the rapport with the crowd is that now crowds come to hear our songs. We’re getting closer and closer to an artist performance.
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I love disco and we sample it a lot for Duck Sauce. For me, that sound is kind of a new manifestation.
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I think whether dance music had exploded in America, I still would’ve been a DJ a long time. This is my first love.
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I have a radio show on Sirius XM. I put it up as a free download on my Soundcloud and on iTunes. That’s a portal for me once a month, to play songs I know aren’t getting played on that station the rest of the week.
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I’m one of the few DJs who uses turntables. I’m the only DJ that’s scratching.
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The essential component of being a DJ is setting the mood; it’s playing to the context. So that if you’re not able to adapt from one context to another, then you’re not a DJ.
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We have to wake up early and make songs everyday. I run my record label. You work at hours where your body isn’t designed to work. But it’s fun.
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At festivals you kind of have to play the game a bit and you have to play a lot of the big bangers but it’s to me it’s extra gratifying to be able to play the non-bangers and make it work. Because that’s still the craft of the DJ, I think.
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One thing that I learned in recent years from working more with other people is this idea that part of a producer’s job is to make people comfortable and confident.
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I worked with him for years. I still think Kanye [West] is one of the most important people in music in the last ten years.
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My ears are open to all sorts of stuff. I appreciate some of the big electro house guys.I love their music but I also like a lot of the stuff coming out of the U.K. Future garage stuff. A lot of stuff like that.
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At the end of the day, Fool’s Gold is a label that, when I hear something I like, I try to grab it for the label. There’s a ton of great music coming out.
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I’ve been doing it since I was prepubescent when I loved to scratch records and play good music. As it happens, you know I sort of fell into the mix. I really feel like I played a role in bringing dance music to America years ago.
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There are things I like, there are things I strongly dislike. In my DJ sets and in my production I just gravitate towards what I like.
A-TRAK