You either get the point of Africa or you don’t. What draws me back year after year is that it’s like seeing the world with the lid off.
A. A. GILLThe reason that chefs become chefs is that they’re not allowed into rooms with windows.
More A. A. Gill Quotes
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I still secretly believe that afternoons are the time for the test card and you shouldn’t watch television when the sun is out.
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America didn’t bypass or escape civilization. It did something far more profound, far cleverer: it simply changed what civilization could be.
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Beautifully shot, impeccably paced, it was a clear, unrelenting look at the National Trust, its friends and enemies, and it makes you want to burn your passport and beg the Luftwaffe to have another go.
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The truth and the facts aren’t necessarily the same thing. Telling the truth is the object of all art; facts are what the unimaginative have instead of ideas.
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We like to see death as an unfair conspiracy, and what we want is a magic practitioner, a combination of Dr Watson and Sherlock Holmes.
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We like to see death as an unfair conspiracy, and what we want is a magic practitioner, a combination of Dr Watson and Sherlock Holmes.
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Facts are what pedantic, dull people have instead of opinions.
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The interesting adults are always the school failures, the weird ones, the losers, the malcontents, this isn’t wishful thinking. It’s the rule.
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Sport is how poor kids from poor countries pass through the eye of the needle to riches and recognition.
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I don’t know how long a child will remain utterly static in front of the television, but my guess is that it could be well into their thirties.
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Americans think the only funny Brits are John Cleese, Benny Hill and whoever makes our toothpaste. They’re not laughing with us, they are laughing at us.
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Nobody ever forgets their first night in the bush. It’s among the precious, meagre handful of life firsts that remain indelible.
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Television gives us the gift to see ourselves as we’d like to be seen.
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The reason that chefs become chefs is that they’re not allowed into rooms with windows.
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My father was a film-maker. He always said he wanted to go like Humphrey Jennings, the legendary director who stepped backwards over a cliff while framing a better shot.
A. A. GILL