“Nothing shows a man’s character more than what he laughs at.”

If you treat an individual as he is, he will remain how he is. But if you treat him as if he were what he ought to be and could be, he will become what he ought to be and could be.

And all must follow in my wake.

A person hears only what they understand.

If I love you, what business is it of yours?

How often do I lull my seething blood to rest, for you have never seen anything so unsteady, so uncertain, as this heart.

Every day I observe more and more the folly of judging of others by ourselves; and I have so much trouble with myself, and my own heart is in such constant agitation, that I am well content to let others pursue their own course, if they only allow me the same privilege.

Difficulties increase the nearer we get to the goal.

We do not have to visit a madhouse to find disordered minds; our planet is the mental institution of the universe.

A man sees in the world what he carries in his heart.

Who is the happiest of men? He who values the merits of others, and in their pleasure takes joy, even as though ’twere his own.

The greatest evil that can befall man is that he should come to think ill of himself.

Every day one should at least hear one little song, read one good poem, see one fine painting and – if at all possible – speak a few sensible words.

If any man wish to write in a clear style, let him be first clear in his thoughts; and if any would write in a noble style, let him first possess a noble soul.

We often feel that we lack something, and seem to see that very quality in someone else, promptly attributing all our own qualities to him too, and a kind of ideal contentment as well. And so the happy mortal is a model of complete perfection–which we have ourselves created.

What is uttered from the heart alone will win the heart of others to your own.

We usually lost today because there has been a yesterday, and tomorrow is coming.

Individual character is in the right that is in strict consistence with itself. Self-contradiction is the only wrong.

Some actors are brilliant character guys. They submerge.

Nothing comes easy when I’m in character, because everything I do in character, I take seriously.

I’ve always been intrigued by cutout silhouettes. They are so intriguing, so poetic-the shadow of a soul. They tell everything about a character and they are open to be filled with one’s own imagination.

You take what you know, and you put it through your own prism. If I play characters that break down or cry, it’s Gary Oldman crying; it’s not the character crying.

I auditioned for the role of an angel in the Nativity play at school. I didn’t get it. I auditioned for Mary; didn’t get it. So I made up the character of the sheep who sat next to Baby Jesus.

Yeah, it is, because it’s a real discovery of your inner resources, you know. That’s what my character is all about and what my playing is all about. But to get up there and just go inside and draw out something that makes you feel good first and foremost.

Characters I’ve played, they used to impact my paintings, like 80 percent of the time, and especially when I was doing an action film.