Something in me was changed by Lincoln in the Bardo, and the great sublime/grotesque risk of [George Saunders’] ghosts was a part of it.
ZADIE SMITHSomething in me was changed by Lincoln in the Bardo, and the great sublime/grotesque risk of [George Saunders’] ghosts was a part of it.
ZADIE SMITHToday, writing seems to me like an incredible luxury, almost a perversity, something which hardly exists in the world anymore, where you get to see the fruits of your actions in a daily way.
ZADIE SMITHThe lack of alternatives to an illegal action does not legitimise that action.
ZADIE SMITHCambridge was a joy. Tediously. People reading books in a posh place. It was my fantasy. I loved it. I miss it still.
ZADIE SMITHI’m very attracted to exile literature – particularly Nabokov – exactly because the idea of being away from home for any serious length of time is so inconceivable to me.
ZADIE SMITHRarely does one see a squirrel tremble.
ZADIE SMITHThe greatest lie ever told about love is that it sets you free.
ZADIE SMITHYou can feel bad… I mean, that’s not illegal.
ZADIE SMITHIt’s difficult to tell the truth about how a book begins. The truth, as far as it can be presented to other people, is either wholly banal or too intimate.
ZADIE SMITHI recognize myself to be an intensely naive person. Most novelists are, despite frequent pretensions to deep socio-political insight.
ZADIE SMITHOne thing you learn about the novel as a form is that it’s always smarter than you are.
ZADIE SMITHDon’t confuse honours with achievement.
ZADIE SMITHThe library was the place I went to find out what there was to know. It was absolutely essential.
ZADIE SMITHFor me, George Saunders novel [Lincoln in the Bardo] is about a problem of pain.
ZADIE SMITHI cannot believe homosexuality is that much fun. Heterosexuality certainly is not.
ZADIE SMITHI often worry that my idea of personhood is nostalgic, irrational, inaccurate.
ZADIE SMITH