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Coltrane came to New Orleans one day and he was talking about the jazz scene. And Coltrane mentions that the problem with jazz was that there were too few groups.

Branford Marsalis

The way to learn the language is to rip off other players. As Benny Golson told me, “We all start off sounding like other cats.
BRANFORD MARSALIS

Cat Player Rip
It’s hard to get into Newsweek because, as more of our former intellectual magazines take on a pop focus, if there’s no buzz, there’s no interest.
BRANFORD MARSALIS

Culture Focus Intellectual
Humans are imperfect. That’s one of the reasons that classical and jazz are in trouble. We’re on the quest for the perfect performance and every note has to be right. Man, every note is not right in life.
BRANFORD MARSALIS

Inspiring Men Perfect
I’m not going to play funk licks on a jazz album. That makes no sense.
BRANFORD MARSALIS

Albums Jazz Play Sense
If it’s not going to sound like Terrapin Station, what’s the point of playing Terrapin Station?
BRANFORD MARSALIS

Ifs Sound Stations
I like to make records sound good. I’m more like a reducer than a producer. If an artist cannot produce themselves, what’s the point?
BRANFORD MARSALIS

Artist Records Sound
So much of Jazz doesn’t have an audience other than music students or musicians.
BRANFORD MARSALIS

Jazz Music Students
Walter Beasley is an anomaly: a successful performing musician who possesses the rare skill of understanding the musical process beyond the intuitive. T
BRANFORD MARSALIS

Skills Successful Understanding
Coltrane came to New Orleans one day and he was talking about the jazz scene. And Coltrane mentions that the problem with jazz was that there were too few groups.
BRANFORD MARSALIS

Day New Country Talking
You don’t know what you like, you like what you know. In order to know what you like, you have to know everything.
BRANFORD MARSALIS

Jazz Music Order
One of the things that’s clear to me from interviews that I’ve read is that the more popular successful jazz musicians had audiences above and beyond the music community.
BRANFORD MARSALIS

Community Halloween Successful
his special ability enables Walter to communicate with aspiring musicians in a way that removes the sense of mystery that sometimes enshrouds our profession.
BRANFORD MARSALIS

Enshroud Profession Remove Special
I think that if you keep banging at the door all you need is a little foothold, a little tiny foothold, and then the rest will take care of itself.
BRANFORD MARSALIS

Doors Needs Thinking
One of the things that I loved about listening to Miles Davis is that Miles always had an instinct for which musicians were great for what situations. He could always pick a band, and that was the thing that separated him from everybody else.
BRANFORD MARSALIS

Band Listening Musician
What you have to do is play a couple of songs and then get off the stage because everything that trails it sounds stupid.
BRANFORD MARSALIS

Couple Sound Stupid Trails
What is jazz? It, It’s almost like asking, What is French? Jazz is a musical language. It’s a musical dialect that actually embodies the spirit of America.
BRANFORD MARSALIS

Asking Country Musical People

Coltrane came to New Orleans one day and he was talking about the jazz scene. And Coltrane mentions that the problem with jazz was that there were too few groups.

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Coltrane came to New Orleans one day and he was talking about the jazz scene. And Coltrane mentions that the problem with jazz was that there were too few groups.

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Popular Authors

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