You hear it in your brain. Whatever makes sense. Some songs work well as quartet songs, sometimes they don’t.
BRANFORD MARSALIShis special ability enables Walter to communicate with aspiring musicians in a way that removes the sense of mystery that sometimes enshrouds our profession.
More Branford Marsalis Quotes
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Everybody talks about finding your voice. Do your homework and your voice will find you.
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Humans are imperfect. That’s one of the reasons that classical and jazz are in trouble. We’re on the quest for the perfect performance and every note has to be right. Man, every note is not right in life.
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One of the things that’s clear to me from interviews that I’ve read is that the more popular successful jazz musicians had audiences above and beyond the music community.
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One of the things that I loved about listening to Miles Davis is that Miles always had an instinct for which musicians were great for what situations. He could always pick a band, and that was the thing that separated him from everybody else.
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If I were like a lot of other people, then it wouldn’t be fun; but since I’m like me, it’s okay.
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You don’t know what you like, you like what you know. In order to know what you like, you have to know everything.
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So much of Jazz doesn’t have an audience other than music students or musicians.
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The piano is the X factor. People have a tough time following the structures when there’s no piano there, spelling it out. It makes it more easily understood, particularly to people who don’t know as much about music.
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Walter Beasley is an anomaly: a successful performing musician who possesses the rare skill of understanding the musical process beyond the intuitive. T
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The whole point is, give me a break with the standards. You go to the average jazz label and suggest a record and they want to know which standards you’re going to play. I’m saying let’s break the formula.
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When you’re dealing with music without words, titles are more a means of identification than anything else. What’s the point of getting lofty?
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The way to learn the language is to rip off other players. As Benny Golson told me, “We all start off sounding like other cats.
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Coltrane came to New Orleans one day and he was talking about the jazz scene. And Coltrane mentions that the problem with jazz was that there were too few groups.
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My job is to write songs that have emotional meaning to me.
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If it’s not going to sound like Terrapin Station, what’s the point of playing Terrapin Station?
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