Like, she had a caterer, she had wardrobe people, she had two makeup artists… I mean, we have makeup and we have wardrobe, but Felicia [Day] was, like, on it. She had two cameras operating, sets, extras everywhere. It was unbelievable.
BRENT SPINERThe only problem with that – and she was lovely – was that she was basically hired because [Gian Luigi Polidoro] thought she was [film producer] Ray Stark’s daughter. And he figured that if he ran out of money, her father would kick in some more.
More Brent Spiner Quotes
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Timing is everything, as you know.
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A job is a job. And I like to work.
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We got to be really good friends [Jack Lemmon and Walter Matthau]. It was just thrilling, every day. Every single day. I had a big couple of musical numbers in [Out to Sea], and I remember doing one of them and shooting it from beginning to end.
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Martha Coolidge directed the movie [Introducing Dorothy Dandridge], giving me another shot, and it was an amazing experience.
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Any job you can go to and have a laugh everyday has got to be a good job.
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Generally, I have to be able to get the lines out of my mouth without making a mistake before I go to sleep.
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Having spent so much time in a fictional world, I prefer to read about the real world
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[ Felicia Day] is really figured it all out, and it was impressive. It was nothing like our set, because her set was like working on a real film.
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As it turns out, sometimes that bites you. In this case, I saw pictures of Earl [Mills], and…I actually met him. He was quite old at the time, but he had this sort of curly red hair, so we did that in the film. I got a perm and had red hair, and… It was a mess.
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And I’m telling you, there is a movie waiting to be made about the making of a movie like that, particularly at that time in New York. I mean, we shot all over the streets of New York without permits.
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Voice acting is about the easiest thing to do. You roll out of bed, throw your clothes on that you had on the night before, you go into the studio, and nobody cares, just as long as you can speak.
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I think the potential for man is so enormous, if we can stay alive long enough, we’re going to be seeing a lot of what Star Trek is projecting.
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I think there is something like 90% unemployment in the Screen Actors Guild, so we are the exception.
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Earl Mills is probably the best role I’ve ever been given in a film. And it was a great experience to work with Halle [Berry] and Klaus Maria Brandauer, an Austrian actor who’s a hero of mine.
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Joey being one of my finest performances ever. Matt LeBlanc’s basically doing the same thing right now, playing himself on Episodes.
BRENT SPINER