When any civilization is dust and ashes,” he said, “art is all that’s left over. Images, words, music. Imaginative structures. Meaning—human meaning, that is—is defined by them. You have to admit that.
I did … learn an important distinction in graduate school: a speculation about who had syphilis when is gossip if it’s about your friends, a plot element if it’s about a character in a novel, and scholarship if it’s about John Keats.
The object is very clear in the fight against racism; you have reasons why you’re opposed to it. But when you’re writing a novel, you don’t want the reader to come out of it voting yes or no to some question. Life is more complicated than that.
A lot of being a poet consists of willed ignorance. If you woke up from your trance and realized the nature of the life-threatening and dignity-destroying precipice you were walking along, you would switch into actuarial sciences immediately.
Vampires get the joy of flying around and living forever, werewolves get the joy of animal spirits. But zombies, they’re not rich, or aristocratic, they shuffle around. They’re a group phenomenon, they’re not very fast, they’re quite sickly. So what’s the pleasure of being one?
If one of the arguments against eating meat is to do with cruelty and animal intelligence, then lab meat avoids that. There’s also the environmental argument for it.
Confronted by too much emptiness … the brain invents. Loneliness creates company as thirst creates water. How many sailors have been wrecked in pursuit of islands that were merely a shimmering?
Stick a shovel into the ground almost anywhere and some horrible thing or other will come to light. Good for trade, we thrive on bones; without them there’d be no stories.
