The secret to editing your work is simple: you need to become its reader instead of its writer.
ZADIE SMITHSomething in me was changed by Lincoln in the Bardo, and the great sublime/grotesque risk of [George Saunders’] ghosts was a part of it.
More Zadie Smith Quotes
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For me, George Saunders novel [Lincoln in the Bardo] is about a problem of pain.
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You’re a library of me.
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When I was young, I was very technical about these things. I didn’t like to admit to any intimate relation with what I was writing.
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Cambridge was a joy. Tediously. People reading books in a posh place. It was my fantasy. I loved it. I miss it still.
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The young people have a phrase for this now, which is “slay in your lane.” That’s a very important principle of writing. You have to work out what it is you can’t do, obscure it, and focus on what works.
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Don’t confuse honours with achievement.
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I’m very attracted to exile literature – particularly Nabokov – exactly because the idea of being away from home for any serious length of time is so inconceivable to me.
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The library was the place I went to find out what there was to know. It was absolutely essential.
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I cannot believe homosexuality is that much fun. Heterosexuality certainly is not.
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We cannot love something solely because it has been ignored. It must also be worthy of our attention.
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…They cannot escape their history any more than you yourself can lose your shadow.
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Full stories are as rare as honesty.
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The lack of alternatives to an illegal action does not legitimise that action.
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Time is how you spend your love.
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People profess to have certain political positions, but their conservatism or liberalism is really the least interesting thing about them.
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