When I was a kid, I took ‘The Brady Bunch’ and ‘The Partridge Family’ very seriously. It was a world to me in the same way that the Greek myths would have been had I read them. You know, Marcia is Athena and Mr. Brady is Zeus.
GEORGE SAUNDERSI’m very happy – if I can do even a little bit of work to get the short story out more, I’m thrilled.
More George Saunders Quotes
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I think people have come to expect that in artistic representation; that every work of art should be a work of extravagant hope.
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I read Rand and thought, “I want to be one of the earth movers, the scientific people who power the world. I don’t want to be one of these lisping liberal artsy leeches.” So I was working against my actual abilities.
GEORGE SAUNDERS -
The book says [Lincoln in the Bardo],”I really need this sci-fi device of a ghost inhabiting another person.” You say okay kind of begrudgingly. So the structure seemed informed by need and efficiency.
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Compassion doesn’t have to be weak or enabling; it can also be quite bold.
GEORGE SAUNDERS -
I always describe writing a story as throwing bowling pins in the air and then catching them.
GEORGE SAUNDERS -
I’m not thinking much about overall themes or preoccupations or anything like that. Instead I’m just trusting that, if I’m working hard, various notions and riffs and motifs and so on are very naturally suffusing the stories and the resulting book.
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So, good news/bad news: good news that I’m progressing; bad news that life is short and art is long.
GEORGE SAUNDERS -
If you think of a work of fiction as a kind of scale model of the world, then the positive valences – where things turn out better than you thought they would – ought to be in there somewhere, too.
GEORGE SAUNDERS -
I see that being looked at askance as a form of elitism now, which is really scary.
GEORGE SAUNDERS -
My go-to default is to try to be nice, which I feel does less harm in the long run than trying to be, say, assertive. If I am nice and maybe too passive, I find that easier to live with.
GEORGE SAUNDERS -
Reading is a form of prayer, a guided meditation that briefly makes us believe we’re someone else, disrupting the delusion that we’re permanent and at the center of the universe. Suddenly (we’re saved!) other people are real again, and we’re fond of them.
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I actually believe that a lot of what people call originality has to do with persistence in the craft.
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I’m from a pretty working-class background, and I really worked hard in my life to eradicate those parts of myself that were stupidly trapped in that world.Those of us who come up that way made a series of choices to benefit ourselves and make ourselves more generous and open.
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The idea is that what an artist lives through should broaden his notion of what it is possible for a human being to live through, and that new understanding should then get into and expand the work.
GEORGE SAUNDERS -
Your first responsibility is to yourself and to your own goodness of heart.
GEORGE SAUNDERS







