The two things that constantly inspired me were books and travel.
PATTI SMITHI was always a tomboy as a kid. I always had boyfriends. I was just a regular girl growing up in the late ’50s and early ’60s, but I was never really attracted to what the girls were attracted to: makeup, my appearance, homemaking.
More Patti Smith Quotes
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I was quite an insomniac. I rarely slept as a child. Having God to talk to at night was nice.
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I had no proof that I had the stuff to be an artist, though I hungered to be one.
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Polaroid by its nature makes you frugal. You walk around with maybe two packs of film in your pocket. You have 20 shots, so each shot is a world.
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One day we’ll go in together, and the work will be ours.
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I understood that in this small space of time we had mutually surrendered our loneliness and replaced it with trust.
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I don’t know why, the very first word on my very first record is ‘Jesus.’ I still invoke him as an entity to reckon with.
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I’m not really a nostalgic person.
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For Christmas every year, my mother used to give me those cheap little diaries that would tell your horoscope and provide a little blank slot for each day.
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I’m from South Jersey: The idea of eating a roll with olive oil and anchovies or some kind of sardine and drinking mint tea definitely comes from reading Paul Bowles.
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Hail brother, the distant thunder is nothing but hearts beating as one.
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Vowels are the most illuminated letters in the alphabet. Vowels are the colors and souls of poetry and speech. (1976 Penthouse interview)
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Life isn’t some vertical or horizontal line — you have your own interior world, and it’s not neat.
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I got over the loss of his desk and chair, but never the desire to produce a string of words more precious than the emeralds of Cortés.
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I’ve lost many, many friends through natural causes, through alcohol, through drugs, through AIDS. And every time I lose a friend or a loved one, it reminds me how great life is.
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In my low periods, I wondered what was the point of creating art. For whom? Are we animating God? Are we talking to ourselves? And what was the ultimate goal? To have one’s work caged in art’s great zoos – the Modern, the Met, the Louvre?
PATTI SMITH