I get labelled as just being about one thing, but there’s lots of layers to what I do.
PAUL WELLERI’m very, very open to experimenting with different people and trying to find different methods of writing and making music.
More Paul Weller Quotes
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I was always taught as a kid that if there’s anything you want in life, you’ve got to work towards it. I guess that sort of stayed with me, really.
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In my world [of fashion] there’s more things that kind of affect it. There’s the retailers we do business with, our own stores, my merchandising team… Everybody has opinions, and so you definitely have to filter through a lot.
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I could say that ‘Exile On Main Street’ was my favourite or whatever, but I’m more about the songs and the artists and the sound that they bring.
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I wear jeans and a T-shirt sometimes. I just like clothes – since the first time I can remember, like age ten or eleven; I was just obsessed with music and clothes. Just like a lot of people in England from my generation.
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I think people are just really disappointed, disappointed with Blair as well, who’s just like Bush’s lapdog. I think everyone’s just disillusioned with politics in our country, and it must be the same in your country.
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I love soul music, that’s my real love in life and in whatever shape or form it is.
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I don’t really wanna talk about politics, I’m not clever enough.
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No man should have cowboys boots in his wardrobe. That’s fair enough, isn’t it? Unless you’re a cowboy, of course.
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I don’t like to get pigeonholed. I don’t like it when people think they have you sewn up.
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Life is a drink and you get drunk when you’re young…
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It is nice to make a record and people like it, and it’s encouraging.
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In the past we used to come over to see what was going on in London or Paris or Milan or wherever – it’s pretty much the same stuff everywhere [now], and people are wearing the same things, because it’s all instantaneous with the Internet.
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I want to hear as much music as I possibly can before I leave this mortal coil but it’s impossible to hear it all because there’s so much of it.
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I’m very, very open to experimenting with different people and trying to find different methods of writing and making music.
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There’s always something in most world folk musics that always seems connected; whether it’s a bagpipe or a tambura, there’s always some sort of drone instrument, and there’s always percussion.
PAUL WELLER