So here’s something I know to be true, although it’s a little corny, and I don’t quite know what to do with it.
GEORGE SAUNDERSI don’t feel like I have the intelligence to really inhabit a consistently high level of prose.
More George Saunders Quotes
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With nonfiction, I go in trying to be really honest about what my preconceptions are.
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The one thing I noticed retroactively was that the energy at those Trump rallies was off the charts compared to the Hillary Clinton rallies. The Bernie Sanders energy was as good, gentler, but there was a real passion there.
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…smile first, then speak.
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I love story-writing because I can (more or less, on occasion) actually DO it. That’s really the truth. I like the idea that a story is sort of a site for making cool language effects – a site for celebrating language, and, therefore, the world.
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As a writer I’m essentially just trying to impersonate a first-time reader, who picks up the story and has to decide, at every point, whether to keep going.
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So, good news/bad news: good news that I’m progressing; bad news that life is short and art is long.
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The artist’s job, I think, is to be a conduit for mystery.
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Twitter is a deliberate abstention. Somehow I hate the idea of there always being, in the back of my mind, this little voice saying: ‘Oh, I should tweet about this.’
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Whole idea is really intriguing to me. If you took snapshots of ourselves throughout the day, the way that our mind is twisting and turning, then at the moment of death, the mind would be twisting and turning in the same way. But the Buddhists say it’s super-sized because there’s no bodily damper on it.
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Maybe you could even think 100,000 people are inside each human being. And you drop a novel on that person, and a certain number of those sub-people come alive or get reenergized for some finite time.
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I think kindness is a sort of gateway virtue – having that simple aspiration can get you into deep water very quickly – in a good way.
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Nostalgia is, ‘Hey, remember the other mall that used to be there?’
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I think something that I can’t name about our media has made us move away from that kind of specificity and that kind of curiosity.
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The one thing fiction and non-fiction writing have in common for me is that sense of trying to get the sentences to be minimal but at the same time be a little overfull – to encourage them to do a kind of poetic work.
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I think people have come to expect that in artistic representation; that every work of art should be a work of extravagant hope.
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