Every step was a victory. He had to remember that.
GEORGE SAUNDERSYou can see a whole book as a series of creating an expectation and then delivering a skew on that expectation so it’s not totally satisfied.
More George Saunders Quotes
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The great American denial riff is that you can do whatever you like and you always triumph at the end. The world is saying no, you can do what you like, but there are consequences. And maturity is to be able to turn to the consequences and accept them.
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When I think about what fiction does morally, I’m happier thinking of a person full of multiplicities – sort of fragmented.
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When I was a kid, I took ‘The Brady Bunch’ and ‘The Partridge Family’ very seriously. It was a world to me in the same way that the Greek myths would have been had I read them. You know, Marcia is Athena and Mr. Brady is Zeus.
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…smile first, then speak.
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When we talk about adversity, this is the moment when character really gets tested. When things aren’t going the way you want and you can’t see anyway that they’re going to go the way you want. That’s kind of when those old virtues really become valuable and vulnerable also.
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I think something that I can’t name about our media has made us move away from that kind of specificity and that kind of curiosity.
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I started out in engineering. I was a geophysical engineer. Throughout the course of my life I’ve done a lot of strange jobs, and the effect has been to make me think a little more skeptically about our capitalist society.
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I’m very happy – if I can do even a little bit of work to get the short story out more, I’m thrilled.
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When you read a short story, you come out a little more aware and a little more in love with the world around you. What I want is to have the reader come out just 6 percent more awake to the world.
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We have to move toward specificity, intelligence, facts, proof, and mutual affection. What I think people have to do now is be very, very assertive about the utter essentiality of intellectual undertakings.
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Whatever happens when we die, it would be really weird if it was what we had expected. Even if you were a lifelong Christian believer, it would be kind of weird if there actually were pearly gates.
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If you think of a work of fiction as a kind of scale model of the world, then the positive valences – where things turn out better than you thought they would – ought to be in there somewhere, too.
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The artist’s job, I think, is to be a conduit for mystery. To intuit it, and recognize that the story-germ has some inherent mystery in it, and sort of midwife that mystery into the story in such a way that it isn’t damaged in the process, and may even get heightened or refined.
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There’s a really nice moment in the life of a piece of writing where the writer starts to get a feeling of it outgrowing him – or he starts to see it having a life of its own that doesn’t have anything to do with his ego or his desire to ‘be a good writer’.
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Nostalgia is, ‘Hey, remember the other mall that used to be there?’
GEORGE SAUNDERS