In a way fighting was just like using magic. You said the words, and they altered the universe. By merely speaking you could create damage and pain, cause tears to fall, drive people away, make yourself feel better, make your life worse.
LEV GROSSMANA magician is strong because he feels the pain between what the world is and what he would make of it.
More Lev Grossman Quotes
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His crush went from exciting to depressing, as if he’d gone from the first blush of infatuation to the terminal nostalgia of a former lover without even the temporary relief of an actual relationship in between.
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He wasn’t surprised. He was used to this anticlimactic feeling, where by the time you’ve done all the work to get something you don’t even want it anymore.
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A novel with a bad middle is a bad book. A bad ending is something I’ve just gotten in the habit of forgiving.
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Josh speculated about the hypothetical contents of an imaginary porn magazine for intelligent trees that would be entitled Enthouse.
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Supposedly I’ve got traces of an English accent, though I can’t hear it. I must have inherited it from my mother, who’s English, and then I think it was exacerbated by the fact that I live with an Australian.
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I think for a long time, I was paralyzed by some of my hopes and ideals for what my life was going to be like. I had this perfect vision of how my life should go, but it seemed – it was – impossible to realize, so I sat around for a long, long time doing almost nothing at all.
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The danger would be going back, or staying still. The only way out was through. The past was ruins, but the present was still in play.
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It’s an engrossing look at the way the flow of information shapes history-as well as a rare glimpse into the soul of the hardcore geek
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He who completes a quest does not merely find something. He becomes something.
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Careful what you hunt, lest you catch it.
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By now he had learned enough to know that when he was getting annoyed at somebody else, it was usually because there was something that he himself should be doing, and he wasn’t doing it.
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I feel very conscious of my influences. T.H. White is very important for me.
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I love playing with the conventions of fantasy, and breaking rules, and crossing lines.
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I feel that’s one of the central questions of fantasy. What did we lose when we entered the 20th and 21st century, and how can we mourn what we lost, and what can we replace it with? We’re still asking those questions in an urgent way.
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The real world is horrible.
LEV GROSSMAN