I was always a tomboy as a kid. I always had boyfriends. I was just a regular girl growing up in the late ’50s and early ’60s, but I was never really attracted to what the girls were attracted to: makeup, my appearance, homemaking.
PATTI SMITHAll I’ve ever wanted, since I was a child, was to do something wonderful.
More Patti Smith Quotes
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Vowels are the most illuminated letters in the alphabet. Vowels are the colors and souls of poetry and speech. (1976 Penthouse interview)
PATTI SMITH -
One day we’ll go in together, and the work will be ours.
PATTI SMITH -
Remember, we are mortal, but poetry is not.
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I think it’s important for people to realize that we were all young, all naive, and also we had lived in a time that had magic.
PATTI SMITH -
I’m a worker. I do the work to communicate, and I want people to embrace it, and when they do I’m happy.
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Life is an adventure of our own design intersected by fate and a series of lucky and unlucky accidents.
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I had no proof that I had the stuff to be an artist, though I hungered to be one.
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So my last image was as the first. A sleeping youth cloaked in light, who opened his eyes with a smile of recognition for someone who had never been a stranger.
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I understood that in this small space of time we had mutually surrendered our loneliness and replaced it with trust.
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I felt alien my whole life but I didn’t feel alien because of my gender. Other people made me aware of my gender.
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My father came a couple of times, but he always blamed his hearing loss on my loud amplifiers. So he didn’t come anymore, but I had his support.
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For Christmas every year, my mother used to give me those cheap little diaries that would tell your horoscope and provide a little blank slot for each day.
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Never let go of that fiery sadness called desire.
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To be an artist – actually, to be a human being in these times – it’s all difficult. … What matters is to know what you want and pursue it.
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In my low periods, I wondered what was the point of creating art. For whom? Are we animating God? Are we talking to ourselves? And what was the ultimate goal? To have one’s work caged in art’s great zoos – the Modern, the Met, the Louvre?
PATTI SMITH