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I tend to foster drama via bleakness. If I want the reader to feel sympathy for a character, I cleave the character in half, on his birthday. And then it starts raining. And he’s made of sugar.

George Saunders

I’m getting anxious, I’m getting more manic. Now, I’m an extreme case because I’m old and I’m overdoing it. But still, it’s really interesting that I can actually feel a change in my neurochemistry from this interaction with the technology.
GEORGE SAUNDERS

Extreme Interesting Neurochemistry
I was trained in seismic prospecting. We’d drill a deep hole and put dynamite in the bottom and blow it up remotely, which would give you a cross-sectional picture of the subsurface, which tells you where to drill.
GEORGE SAUNDERS

Deep Dynamite Remotely
I am always considering the reader. Although this is admittedly kind of odd: Which reader? On what day? In what mood? For me, that “reader” is actually just me, if I had never read the story before.
GEORGE SAUNDERS

Actually Kind Mood Odd Stories
I have nothing. My model is I have nothing figured out, and I’m starting with some little nugget and hoping that it will talk back to me enough to let it grow.
GEORGE SAUNDERS

Enough Littles Nuggets
Your first responsibility is to yourself and to your own goodness of heart.
GEORGE SAUNDERS

Firsts Heart Responsibility
I’m fascinated with actors, and I’ve never quite understood the process.
GEORGE SAUNDERS

Actors Never Quit Process
Chekhov – shall I be blunt? – is the greatest short story writer who ever lived.
GEORGE SAUNDERS

Chekhov Stories Story Writers
If you bring forth what is within you, it will save you. If you do not bring it forth, it will destroy you.
GEORGE SAUNDERS

Destroy Forth Within You
Whole idea is really intriguing to me. If you took snapshots of ourselves throughout the day, the way that our mind is twisting and turning, then at the moment of death, the mind would be twisting and turning in the same way. But the Buddhists say it’s super-sized because there’s no bodily damper on it.
GEORGE SAUNDERS

Buddhist Ideas Mind
All along, my mantra was: Don’t write unless it contributes to the emotion, and do anything you do in service of the emotion only.
GEORGE SAUNDERS

Contribute Emotion Service Writing
My idea about collections is that you write as hard as you can for some period and what you’re really doing during that time is hyper-focusing on the individual pieces – trying to make each one sit up and really do some surprising work.
GEORGE SAUNDERS

Ideas Trying Writing
For me, when I’m coming up to a place where I have to make somebody up, it’s almost like driving and taking your hands off the wheel.
GEORGE SAUNDERS

Driving Hands Wheels
There’s a really nice moment in the life of a piece of writing where the writer starts to get a feeling of it outgrowing him – or he starts to see it having a life of its own that doesn’t have anything to do with his ego or his desire to ‘be a good writer’.
GEORGE SAUNDERS

Feelings Nice Writing
As a writer I’m essentially just trying to impersonate a first-time reader, who picks up the story and has to decide, at every point, whether to keep going.
GEORGE SAUNDERS

Firsts Impression Stories Trying
There comes that phase in life when, tired of losing, you decide to stop losing, then continue losing. Then you decide to really stop losing, and continue losing. The losing goes on and on so long you begin to watch with curiosity, wondering how low you can go.
GEORGE SAUNDERS

Continue Curiosity Long Losing Tired
I think that fiction has a part to play in urging us, as a species, toward compassion.
GEORGE SAUNDERS

Compassion Play Thinking

I tend to foster drama via bleakness. If I want the reader to feel sympathy for a character, I cleave the character in half, on his birthday. And then it starts raining. And he’s made of sugar.

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I tend to foster drama via bleakness. If I want the reader to feel sympathy for a character, I cleave the character in half, on his birthday. And then it starts raining. And he’s made of sugar.

Related Topics

Popular Authors

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