I don’t like working by a monitor. I stand right next to the camera, and I’m very performance-oriented. That really means everything to me, whether it’s doing an improv of a joke or an emotional scene, and everything in between.
I’m very sensitive to the English language. I studied the dictionary obsessively when I was a kid and collect old dictionaries. Words, I think, are very powerful and they convey an intention.
I try to make movies that I would want to go see rather than ones I would just want to do as an actor. I want people to have movies full of romance and hope and empowerment, something they can escape into and feel good about. I love happy endings.
Being pregnant and having a toddler, as every parent says, is amazing. You’re very tired, but it’s so wonderful. God, it’s emotional, but it’s the best. I wouldn’t want to be anywhere else.
Indecision is the most unsexy thing on the planet. I don’t know if I’m sexy but I think decisiveness is sexy. I also lose trust and faith in them when I realise I’m a bit on my own and that’s a very disheartening feeling.
When I did ‘E.T.,’ it sort of solidified the only family I know are these film crews. These gypsies. These filmmakers. That was the solidification and the clicking revelations of ‘This is what I want to do with my life and this is where I’m going to survive.’
