Moving to the country is a very bold thing to do. You can have vague romantic notions about doing that, but in actuality, it can be a terrifying thing.
It’s very important that the music has a sense of adventure to it, and that it’s done by the seat of your pants. There’s a kind of nervy element about it.
I don’t really care who collects my work, black, white, red, yellow. You have to also be consciously aware of, what does this mean in your home? And how are you supporting this work and the message behind the work?
I’m very happy to hear that my work inspires writers and painters. It’s the most beautiful compliment, the greatest reward. Art should always be an exchange.
Certainly being proficient in an instrument does have its problems. Because the better you get, the more you just start sounding like an ordinary guitarist. There are certainly guitarists that transcend that and do really find their sound and all that sort of stuff.
Guns are part of the American psyche, aren’t they? This is collateral damage for having a Wild West mentality. It’s intrinsic to the American psyche. It’s never going to change.
The body becomes the carrier for the work. It’s not really about the physical body; it really becomes the apparatus that carries and moves the work. I don’t really consider the body as much; I look at it as a tool.
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