I’m turning 58, and you get that kind of weird, old-guy feeling of you don’t have an infinite number of years left and if there’s anything you want to say or represent, it’s time to try it.
GEORGE SAUNDERSThe one thing I noticed retroactively was that the energy at those Trump rallies was off the charts compared to the Hillary Clinton rallies. The Bernie Sanders energy was as good, gentler, but there was a real passion there.
More George Saunders Quotes
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The idea is that what an artist lives through should broaden his notion of what it is possible for a human being to live through, and that new understanding should then get into and expand the work.
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I see that being looked at askance as a form of elitism now, which is really scary.
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It was like either: (A) I was a terrible guy who was knowingly doing this rotten thing over and over, or (B) it wasn’t so rotten, really, just normal, and the way to confirm it was normal was to keep doing it, over and over.
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Monologue is the most honest way to represent human beings.
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I think that fiction has a part to play in urging us, as a species, toward compassion.
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I read Rand and thought, “I want to be one of the earth movers, the scientific people who power the world. I don’t want to be one of these lisping liberal artsy leeches.” So I was working against my actual abilities.
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Humor is what happens when we’re told the truth quicker and more directly than we’re used to.
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You can say you’re a liberal and everybody laughs and it’s a good time.
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In my case, when I am trying to be “kind” I often default in a sort of toothless loving-all stance that is, actually, not kind, because it is not truthful.
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There’s this de facto assumption that for something to have value, it has to be economically self-supporting – which imposes a very low ceiling on a culture.
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Your first responsibility is to yourself and to your own goodness of heart.
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I think something that I can’t name about our media has made us move away from that kind of specificity and that kind of curiosity.
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One way or the other; whether you get it or don’t get it, there’s a cost. That’s just basic responsibility, to admit that there’s a cost. And the bad karma is when you pretend that the thing is free.
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Whatever you love, that will be an influence. It just will. So in effect the young writer’s job is: go out and find some stuff to love.
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I always describe writing a story as throwing bowling pins in the air and then catching them.
GEORGE SAUNDERS