Life is short, very short, and what are we doing here if not trying to become more generous and loving?
GEORGE SAUNDERSI think about how I conceptualize the audience. The trick is that they’ve got to be smarter and more worldly than me. So as I’m revising, I’m keeping that in mind. I cannot condescend, even a little bit. Every single choice that I make is motivated by that.
More George Saunders Quotes
-
-
The greatest thing about writing a book is that at first it’s all inchoate, but the more you work on it, the more the book teaches you its internal rules.
GEORGE SAUNDERS -
I’m not a big fan of my books going on cross-country road trips. They get arrogant and, next thing, start aspiring to become ‘large-print’ books. I say, let them stay home and be regular small-print books.
GEORGE SAUNDERS -
In the moment of reading, the writer comes up to the surface and the reader comes up to the surface and they kiss, like two fish. That actually does happen.
GEORGE SAUNDERS -
I find that the great artists I’ve met are people who are so playfully invested in their process that, even if it doesn’t come out the way they like, they still power through and even take energy from it.
GEORGE SAUNDERS -
When you read a short story, you come out a little more aware and a little more in love with the world around you. What I want is to have the reader come out just 6 percent more awake to the world.
GEORGE SAUNDERS -
I’ve noticed that nowadays I’m doing a lot of stuff on the phone and on the computer, which I usually wouldn’t do earlier. And I can feel my brain being rewired:
GEORGE SAUNDERS -
I’m very happy – if I can do even a little bit of work to get the short story out more, I’m thrilled.
GEORGE SAUNDERS -
I always describe writing a story as throwing bowling pins in the air and then catching them.
GEORGE SAUNDERS -
It was like either: (A) I was a terrible guy who was knowingly doing this rotten thing over and over, or (B) it wasn’t so rotten, really, just normal, and the way to confirm it was normal was to keep doing it, over and over.
GEORGE SAUNDERS -
When somebody you’ve known for 20 years, and with whom you have a full context, winks at you or whatever, it can be huge. I think in a sense what you’re trying to re-create in fiction is that.
GEORGE SAUNDERS -
I’m getting anxious, I’m getting more manic. Now, I’m an extreme case because I’m old and I’m overdoing it. But still, it’s really interesting that I can actually feel a change in my neurochemistry from this interaction with the technology.
GEORGE SAUNDERS -
There’s this de facto assumption that for something to have value, it has to be economically self-supporting – which imposes a very low ceiling on a culture.
GEORGE SAUNDERS -
With nonfiction, I go in trying to be really honest about what my preconceptions are.
GEORGE SAUNDERS -
I know what it feels like to be in that middle and lower-middle class, and feel like the culture is passing you by; it translates into a great sense of personal frustration that can then morph into political frustration.
GEORGE SAUNDERS -
Why were we put here, so inclined to love, when end of our story = death? That harsh. That cruel. Do not like.
GEORGE SAUNDERS