I was fascinated to think about a place where men could be the mothers and I thought of my own song-writing and I decided to have a relationship with their daughters.
TORI AMOSI wanted to do something creatively, having been a beached whale for many months and nursing my daughter.
More Tori Amos Quotes
-
-
You know when people smile too much? It’s painful. I find it really painful. Happy is not very reliable. I’m trying to live like, um, with a fierce calm.
TORI AMOS -
Standin’ on a corner in Winslow, Arizona, and I’m quite sure I’m in the wrong song.
TORI AMOS -
An interview will seem very sane to me, and I’ll find out that the journalist was laughing out of the side of his mouth half of the time.
TORI AMOS -
I’m a hard worker. I get my hands dirty.
TORI AMOS -
My father was strict, but he recognised my ability and got a lot of flak from the church for supporting me.
TORI AMOS -
Somebody will come backstage and go, ‘You saved me.’ And I will have to say, ‘Stop right there. You saved yourself.’
TORI AMOS -
If you can’t create physical life, you find a life force. If that’s in music, that’s in music. I started to find this deep, primitive rhythm, and I started to move to it. And I held hands with sorrow, and I danced with her, and we giggled a bit.
TORI AMOS -
If you sing to the mermaids, they come when you’re drowning.
TORI AMOS -
I’ve never felt anything that moves me as much as my piano. I’m an emotional player. I don’t really like people. I prefer my piano to people. It’s totally reliable and it’s alive. I can hear what it’s saying.
TORI AMOS -
I’ve worked with many powerful men in the music industry.
TORI AMOS -
Anyone who doesn’t belive in Faeries, isn’t worth knowing.
TORI AMOS -
You have to really respect your path, or you will lose your mind.
TORI AMOS -
It’s been a thrilling journey – I have had to really learn that an orchestra is an entity – it’s a creature. I have been calling it the dragon and the conductor is the dragon tamer. And you just have to … ride and don’t let go and you will be fine.
TORI AMOS -
got a little red line that tells you, boy where the razor’s been.
TORI AMOS -
There’s a richness to the old works if you look before the 1950s. The chord progressions and the language was more complicated, especially in the jazz and classical world.
TORI AMOS