I always describe writing a story as throwing bowling pins in the air and then catching them.
GEORGE SAUNDERSChekhov – shall I be blunt? – is the greatest short story writer who ever lived.
More George Saunders Quotes
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The scariest thought in the world is that someday I’ll wake up and realize I’ve been sleepwalking through my life: underappreciating the people I love, making the same hurtful mistakes over and over, a slave to neuroses, fear, and the habitual.
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Compassion doesn’t have to be weak or enabling; it can also be quite bold.
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So, good news/bad news: good news that I’m progressing; bad news that life is short and art is long.
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I see that being looked at askance as a form of elitism now, which is really scary.
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There’s this de facto assumption that for something to have value, it has to be economically self-supporting – which imposes a very low ceiling on a culture.
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I’m a big lover of America. I love the people, but also the weird berms, the strange little high schools tucked away in different places, and just the whole geography and the psychological apparatus of Americans.
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What’s really baffling to me is the way that the technology has risen up to help us become more materialistic.
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Nostalgia is, ‘Hey, remember the other mall that used to be there?’
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The idea is that what an artist lives through should broaden his notion of what it is possible for a human being to live through, and that new understanding should then get into and expand the work.
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I love story-writing because I can (more or less, on occasion) actually DO it. That’s really the truth. I like the idea that a story is sort of a site for making cool language effects – a site for celebrating language, and, therefore, the world.
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Goodbye. I am leaving because I am bored.
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One of the ways that we cope with anxiety is by over planning and over controlling. If we know where it’s going to, we can just relax and do it.
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So here’s something I know to be true, although it’s a little corny, and I don’t quite know what to do with it.
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I know what it feels like to be in that middle and lower-middle class, and feel like the culture is passing you by; it translates into a great sense of personal frustration that can then morph into political frustration.
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I was trained in seismic prospecting. We’d drill a deep hole and put dynamite in the bottom and blow it up remotely, which would give you a cross-sectional picture of the subsurface, which tells you where to drill.
GEORGE SAUNDERS