If it’s not going to sound like Terrapin Station, what’s the point of playing Terrapin Station?
BRANFORD MARSALISYou know, being America, being the land of “number ones”, everyone wants to be a leader before they follow.
More Branford Marsalis Quotes
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his special ability enables Walter to communicate with aspiring musicians in a way that removes the sense of mystery that sometimes enshrouds our profession.
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Coltrane came to New Orleans one day and he was talking about the jazz scene. And Coltrane mentions that the problem with jazz was that there were too few groups.
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The way to learn the language is to rip off other players. As Benny Golson told me, “We all start off sounding like other cats.
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You hear it in your brain. Whatever makes sense. Some songs work well as quartet songs, sometimes they don’t.
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If I were like a lot of other people, then it wouldn’t be fun; but since I’m like me, it’s okay.
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When people go to concerts, they say I’m going to see… not, I’m going to hear.
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What you have to do is play a couple of songs and then get off the stage because everything that trails it sounds stupid.
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The biggest problem with American music right now, is that kids don’t listen. They come by it honestly, Americans don’t listen anyway.
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My job is to write songs that have emotional meaning to me.
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The piano is the X factor. People have a tough time following the structures when there’s no piano there, spelling it out. It makes it more easily understood, particularly to people who don’t know as much about music.
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Walter Beasley is an anomaly: a successful performing musician who possesses the rare skill of understanding the musical process beyond the intuitive. T
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The whole point is, give me a break with the standards. You go to the average jazz label and suggest a record and they want to know which standards you’re going to play. I’m saying let’s break the formula.
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You know, being America, being the land of “number ones”, everyone wants to be a leader before they follow.
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I don’t care who likes it or buys it. Because if you use that criterion, Mozart would have never written Don Giovanni, Charlie Parker never would have played anything but swing music. There comes a point at which you have to stand up and say, this is what I have to do.
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I’m not going to play funk licks on a jazz album. That makes no sense.
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